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Found 57 results

  1. https://drive.google.com/file/d/1-Xs1G5fupIjZPYNOiLDBoq7EijalRdUI/view?usp=sharing Recording on the way hopefully.
  2. Hi all, this is my first post here. Was hoping for some feedback on this latest attempt at putting the whole orchestra to work: Peace -Rob
  3. Hey all, I am working on a collection of small pieces, preferably 5, based on short stories (hence the name). I made a rough draft of the first one and was wondering if it was an idea worth continuing. Any comments would be helpful! (Just added multiphonics to the trumpet part, anyone know if the part is playable/ how it would sound in real life?) https://musescore.com/user/20408661/scores/5815887 Thank you!
  4. https://musescore.com/user/20408661/scores/5815863 Trying to make sure this is as good as it can be before I attempt to get a live recording for college pre-screening (due dec. 1st), any info regarding my composition will be helpful. Midi percussion sounds bad but not much I can do about it. If there are any formatting errors please call me out, I need this to be as clean as possible. Also should I change the name to something more interesting? If so what are some suggestions that fit the aesthetic and sound of the piece. Thank you!
  5. This was originally intended for a competition, the last of a suite of movements. Each movement had to contain music that was somehow amalgamated in the last movement. Thus it was written first to be able to choose motifs from it for the other movements. A few phrases are deliberately written "sul pont" and others "sul tasto". The suite as a whole was never completed. The date on the MP3 refers to the day I rendered it. Any comments would be most gratefully received - and thank you for listening.
  6. Hi all. I want to get involved in orchestral music, bit by bit. I chose a not large orchestra to write this. Surely, there'll be mistakes. For example, although I've checked it, one of the flute is in a very high register, but a piccolo couldn't do the lower notes of the phrase). I have thought about this piece in terms of color, timber, and sound masses. Please, don't tell me I should have deleted the empty staves because I don't want to do it. I like to see the silence as part of the score. I think I have thankfully been influenced by Brahms, Ives, R. Strauss, Shostakovich, and Gorecki... Dear Masters.
  7. I'd love to hear any thoughts you have about this piece, particularly about the clarity of the piano reduction. Ideally this would be performed a cappella, but it's nice to have a piano reduction for rehearsal or in case the singers need some support. There is some part crossing between the sopranos and altos. It doesn't go out of range for anyone and I liked the way the lines flowed for each part better this way. Any enharmonics you would mark differently? Psalm 133: 1 Behold, how good and how pleasant it is for brethren to dwell together in unity! Thanks for taking the time to listen! Here's a youtube demo video with the score rolling by:
  8. Hello, So, I’ve been experimenting with ways to modernize my classical approach to music. I’ll get into what techniques I used to accomplish this later. I’ll start off with the form of the piece: One piece for piano I love and will likely learn soon is Chopin’s Ballade No 1. I lightly based the form of my own ballade off this one. The beginning and end are in G minor (same for both pieces), but the middle section I chose to make in C# major because of the Tritone relationship between it and G minor. The beginning has an introduction that will lead to the opening theme. From there we get some bombastic octave passages leading into a return of the theme. At the end of the return, we start modulating chromatically and growing quiet until the piece suddenly bursts into a coda that ends on a Tritone and the C# section begins. The middle section is very classical and lyrical, but as it progresses it gets more modern and dissonant. Near the end, we return to g minor and transition back to the main theme. Then we have one last great coda until the soft end. The techniques I use: -chromatic modulation -modulation based upon physically close keys -chromatic scales -whole tone scale -a lot of pedal -m2nds, M9ths -Sudden pauses Im trying to find the balance between these as they’re the techniques I currently like to play with. *No sheet music yet because I have not gotten a change to transcribe audio. *sorry for bad quality of audio. https://drive.google.com/file/d/1yov_wpfmD-jMqJsn61l_r6V1hjN9utOC/view?usp=drivesdk
  9. This is a work for SATB Choir and Piano that I wrote in 2017 for a competition. It's a moving work, and I would love to see it performed someday.
  10. Hello. This week I decided to write for 3 winds. It's was pretty hard challenge for me, because I'm a piano player and I'm used to harmony. It was hard to write but I did enjoyed the process a lot and I got some nice ideas (maybe later I'll expand it and rewrite for larger ensemble). I don't like the musescore midi sounds so in a few days I will record myself on piano just for fun (to get some real vibrations 😄) and upload here. Comments and critiques are welcome! 🙂
  11. Hi everyone, please check out my new work for Large Ensemble and Voices. Give me your feedback after see the video, link below. SULING TEU SILUNG FINAL MOVEMENT (2019) <- Click Thank you guys! 🙏
  12. Hey there, Here is another piece which I have been working on this semester! I really need to come up with a fun title, so if anyone has any ideas, please share! Also, I am happy to hear any comments on this work. It is in four movements, and I hope that you enjoy each of them (my personal favorite is the third one - 'Largo').
  13. This is the first time in a while that I've written something in swing rhythm specifically, but it seemed to call for it. It turned out to be a combo of contemporary/classical/jazz — I don't think there's a good label for it. I did use sacred geometry in this piece, which I'm doing all the time now, and seems to be working our pretty well. I'm open to any feedback or thoughts you have.
  14. I went over this piece once a teacher I had (on counterpoint) told me I should notate the different tempi for each instrument. What do you think? The world of polyrhythm-polytempi is wide. This is a canon in prolatio where every line is the same at different ratios.
  15. Hey guys. A couple of weeks ago I was just listening to some music, and a piece came on that I really enjoyed, but I have come to lose the piece and its composer. I've tried everything to find it, but to no avail. It would be wonderful if anyone could help me out if they happened to know what piece I'm talking about. I CAN give a little information about the piece that I've been using to search for the piece: It had multiple movements. It had a male narrator and a female singer. The subject matter had something to do with either one of the World Wars, but the piece was not written in immediate response to the war. Its newer than that. The title may have contained something about a train, but of that I cannot be certain. If anyone knows what I'm talking about, it would be great if you could respond because I really liked the piece. Thanks, Charlie Carroll
  16. So, you all should know Adam is my favorite living composer. He has written a new violin concerto specifically for Anne Akiko Meyers to premier. It premiered in San Diego early this month. There is a recorded live stream of the entire concert on facebook that I am going to link to. I think it is a next step in his maturing as a composer. He has thrown some new ideas and sounds into this piece that you wouldn't typically hear from him. He still stays true to his style, but he is branching out. I think it is a more free piece with more development. It is gorgeous and lovely and exciting and cool. Take a listen. I think you will love it - I hope you love it as much as I do. The concerto starts around minute 22.
  17. Hey y'all, This is something I've been working on for my church's small wind and string ensemble. I used alto recorder at the beginning because the only other winds I have are flutes and I wanted the more mellow sound. Any comments? Throw 'em my way! Thanks! (Please listen with good speakers or earphones. The poor midi quality makes some parts hard to hear the melody.)
  18. Here they go. Take One Partitura completa (1).pdf Take Two Partitura completa (1).pdf
  19. Hello everyone! I have yet another piece here for you, from my debut piano album "Ballerina". It´s a waltz this time and it´s a kind of minimalist waltz given the simplicity and the emphasis put on the melodies. Please give it a listen and feel free to let me know how you like it, I´ll be very glad to read your opinions. You can find the full album here https://oliverbohovic.bandcamp.com/album/ballerina
  20. Hi everyone! I just released my debut piano album on 25th of October, so it´s still very fresh. It contains 10 of my original compositions and 1 re-make of an 80´s pop song which I´ve made on a request of the artist himself. Please take a listen to the full album here and let me know how you like it! If anyone would be interested, you can buy the album here: https://oliverbohovic.bandcamp.com/album/ballerina
  21. Hey everyone! I've been recently posting some of my piano pieces from my new album and this is yet another one of them. It's actually a very old musical idea of mine, I think it was one of my first piano pieces, but it seemed unfinished so I made some changes and additions to the original and the result is here. Feel free to let me know how you like it! If anyone's interested, you can listen/buy the full album here 💿https://oliverbohovic.bandcamp.com/album/ballerina💿 Or here 📀http://store.cdbaby.com/cd/olivernosaczynskibohovic📀
  22. Hi everyone! This is yet another piece from my debut piano album "Ballerina", the piece is called "With You" and I wrote it back in 2014. This piece differs from other pieces on the album by it's structure. It's heavily based on chordal harmonies accompanied by slight melody, it's more of a moody piece I'd say while most of the other pieces are more melodic. Please take a listen and let me know! If anyone would be interested here you can listen/buy my album 💿https://oliverbohovic.bandcamp.com/album/ballerina💿
  23. Hey everyone! This is a piece I wrote back in 2013 and I now recorded the piece for my debut album "Ballerina" which you can listen to or buy here https://oliverbohovic.bandcamp.com/album/ballerina I hope you guys like it!
  24. I'd love to get your feedback. This is like a sweet lullaby, but with contemporary sounds and melody.
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