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  2. Upload Your Compositions for Analysis or Feedback

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    2. Opt-In Works for Youtube   (4,580 visits to this link)

      Do you want to opt your music in for a chance to be used in a Youtube video or short? You can now opt in when uploading your music for review. You can "opt in / out" at any time, and remember, you always own the copyright to your work.

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    3. Orchestral and Large Ensemble

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    4. Chamber Music

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    6. Piano Music, Solo Keyboard

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    7. Incidental Music and Soundtracks

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    8. Jazz, Band, Pop, Rock

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    10. Incomplete Works; Writer's Block and Suggestions

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  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

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    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

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    3. Composers' Headquarters

      General discussion on composer-related issues and music composition.

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    4. Repertoire

      Talk about musical repertoire, from full-blown orchestral works to solo piano pieces

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    5. Performance

      Discuss the performance of music here, such as the characteristics and limitations of different instruments

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    6. Advice and Techniques

      Offer informal advice on methods of composition, compositional technique (e.g., fugue writing, chorale-style harmonization), etc., that you feel may be of benefit and interest to our members.

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  4. Competitions and Collaboration

    1. Competition Hall of Fame

      A list of winning works of all of our competitions

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    2. Monthly Competitions

      NEW Smaller-scale competitions held on a monthly basis

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    3. Collaborative Works

      Work on a piece with other composers

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    4. Challenges

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    5. External Competitions

      External competitions that are not hosted by Young Composers.

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  5. Technological

    1. Music Jotter

      Young Composers has developed a new music software, with a focus on speed, playback and ease of use.  This forum will be used for support, sales questions and bug submissions.

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    2. Music Notation Software Help and Discussion

      Post questions about your music notation software of choice.  Whether it be Finale, Sibelius, MuseScore, Dorico or anything else you may be using.

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    3. Sound Libraries

      Discuss different sound libraries. This is also the place to talk about software samplers, such as EWQL, VSL, GPO, Kontakt and Gigastudio

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  • Upcoming Events

  • Works With Few Reviews

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  • Topics

  • Posts

    • This is a music about a girl left behind by her father after he was killed by a gang along with their entire settlement raided and people killed and some captured but the girl escaped and is now alone and tries to find refuge looking for people that will accommodate and she can trust.  
    • Italian? That sounds pretty cool and posh, haha. Appreciate it! ^_^
    • hello wow another WIP?? and you havent even finished that symphonic variations and the piano suite?? well thankfully this piece is done, and i just need to fully score the thing and do some finishing touches. this is a vocal work for soprano, oboe, tenor sax., celesta, piano, violin, viola, and cello. the song is from an internet ARG/webseries, called Interloper, based around the Source game engine. i took the song's original melody and just develop the ever living fck out of it. vocal is from a voice synthesizer, singer: Sonata (http://utau.wikidot.com/utau:sonata) the form is....eh...yeah. but hopefully it's coherent. -------------------------------------------------------- INTRODUCTION. (b. 1-121) > introduces the themes, containing three sections: 1st (b. 1-44) and 3rd (b. 97-121) sections are the same. the 2nd section (b. 45-96) is a variation/development of a motif from the previous section (the first three notes). i call it the "Look to the sky" motif, very important, appears everywhere. the oboe part of the 3rd section (b. 103) introduces the B section as a counterpoint. TRANSITION (b. 122-136), variation of intro first section. A. (b. 137-204) > pretty much the combination of the intro's three sections. vocal entrance (b. 151). 2nd section of the intro are woven and augmented between the vocal melodies. sax part at b. 180 is the B section, again, as a counter point. the vocal part sings a lot of the motif's variation.  TRANSITION (b. 205-219), same as the previous one, different instrumentation -------------------------------------------------------- and that's the end for this WIP. lemme know what ya think! (ost starts at 29:50, lyrics appear at 30:09)  
    • since this part is rigid, very busy with the eighth notes, and has fragmented melody, maybe the next section could be in higher register, dominated by sustained chords, with a longer legato melody for contrast? or it could go the other direction and be very heavy, lower register-y stuff. and thenn maybe for the repetition, you could combine the two characteristics of both sections into one: having the driving force of the eighth notes while simultaneously have the underlying sustained harmony. this is just my interpretation however, just options that i've thrown spontaneously. but i hope they could help!
    • i really love the interplay between the instruments here. the way the themes and counterpoints are bounced around the three instruments is also really playful. the ending tied the piece neatly and satisfyingly. it matched the vibe of the whole piece well. it's cool how you used the two modes (mixolydian and pentatonic minor) to differentiate between the sections. i especially really like the second theme. thanks for sharing !!!
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