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This one is different, combining some eastern Japanese/Chinese elements with western stuff.. Could've been some sort of Japanese film/serious soundtrack maybe some anime stuff 😄 There is a good drive on this one, leaded by the Hang Drum.. Have fun 🙂
Back when I was into creative writing, I tried my hand at writing a fairytale set in a fantasy world based on ancient China. The story was about a young princess locked up in a tower by her father the king for refusing to be married off to a foreign prince. I never got around to finishing it, but it did inspire me to write this piece. The style is heavily inspired by Joe Hisaishi, one of my all-time favourite composers. All feedback welcome!
Hi Young Composers, In my latest article, I discussed about why most modern game soundtracks are boring and lifeless and how to remedy it. And this has actually very little to do with composer's technical skill as most would think. Take a read and see if it make sense, or if you have encountered circumstances as discussed in the article. Also, it'll be helpful if composers(you guys!) in this forum can have a discussion if you agree with me or not. :) https://www.linkedin.com/pulse/why-most-modern-game-soundtracks-lifeless-marvel-symphonic-yoa/ Being an experienced composer/audio specialist for visual media with over 10+ years of experience and have worked on projects with over $85 million in the box office and multiple other award winning projects. I've worked with all kinds of people - both high and low, nice people and assholes. Through my personal experience, I know what's truly plaguing the industry and am offering my insights of how to improve it for the benefit of the community. Thanks and if you find this article helpful, do give it a like and share it to others :) -Kian Music Composer | Visual Media Audio Specialist www.kianhow.com
Hi fellow composers! My name is Kian, a Shanghai, China based composer and visual media audio specialist. I'm a graduate of the world prestigious Berklee College of Music and have had more than 10 years of industry experience working on a range of projects including AAA+ games such as Eve Online, Dishonored, Spec Ops: The Line, Dust 514 and block buster Chinese films notably Wolf Warrior. You may find more information about me and my works through my website: www.kianhow.com After more than 10 years of being in the industry and having spent considerable time working in the East and West, I have accumulated much highly valuable experience which I believe will help composers navigate through their careers with much ease. And considering the rise of the economic powers of Asian countries in recent years, there will be more opportunities for composers to explore in this region and I will have highly valuable information that can help aspiring composers intending to exploit the growing markets of the east. I have written a series of articles with the specific purpose of assisting composers achieving their goals. If you find my articles to have provided any value to you, do share it to others as sharing is caring and if there's any questions or topics you'd like me to write about, do get in touch with me :) https://www.kianhow.com/single-post/2017/08/08/Truths-About-Being-a-ComposerThat-You-Should-Know-1-Understanding-the-realities-of-being-a-composer https://www.kianhow.com/single-post/2017/08/08/Truths-About-Being-a-ComposerThat-You-Should-Know-2-Understanding-the-function-of-a-“work-for-hire”-composer Thanks and I wish all of you the best of luck with your careers! -Kian Music Composer | Visual Media Audio Specialist www.kianhow.com