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Showing results for tags 'ensemble'.
Found 15 results
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Hello! I've composed this piece using special counterpoint rules, I hope you like it. Not the best midi (garritan) and the score isn't revised yet. It originally ended around the 3 minute mark, is it now too long?
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Hello all, Here is my latest piece. It's a jazz piece, and the first thing a have written in that genre (besides 12-bar blues melodies). It's in a rough ABAB form, with melodies on the tenor sax and muted trombone. I heard the muted trombone being used to carry a jazz melody in a concert, and I love the sound. On the second B section, the tenor sax joins the trombone with a countermelody. Apologies for the trombone patch - out of the soundfonts I have on Musescore, there is no muted trombone. We can make do with a muted trumpet! (If anyone knows of any free soundfonts that have this, then please share them below!) I hope you enjoy this piece.
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Hey there, Here is another piece which I have been working on this semester! I really need to come up with a fun title, so if anyone has any ideas, please share! Also, I am happy to hear any comments on this work. It is in four movements, and I hope that you enjoy each of them (my personal favorite is the third one - 'Largo'). -
hey guys, my concert for violin and ensemble... what do you think? https://soundcloud.com/patrik-kako/asynchronie-18-1-patrik-kako-1/s-Ypr5C
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The only real Ensemble piece I think I've ever written https://m.youtube.com/watch?t=61s&v=KRLE0oLd4IU
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Here is the second part of the piece I sent a couple of weeks ago. Looking forward to feedback! (Description: I wrote two pieces for piano and a treble instrument around easter as a meditation exercise. The resulting music is what I have titled here as (meditation) I and II. In view of the project with the Sepia Ensemble, I decided to flesh out the music that I developed and arrange it for the instruments, which the ensemble offers. I left the piano and treble part untouched and only elaborated and amplified the fundamental ideas with the help of new instrumental parts.)
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Hi all, I wrote two pieces for piano and a treble instrument around easter as a meditation exercise. The resulting music is what I have titled here as (meditation) I and II. In view of the project with the Sepia Ensemble, I decided to flesh out the music that I developed and arrange it for the instruments, which the ensemble offers. I left the piano and treble part untouched and only elaborated and amplified the fundamental ideas with the help of new instrumental parts. Looking forward to feedback! -
Hi all, this is an ensemble piece I have written for 'Zone Experimentale' from Basel. This recording is from a concert at the Mostra Sonora festival in Valencia. Looking forward to your comments.
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So I wrote this piece little over a year ago and it was my first time writing for harp. If any of you play the harp, I'd especially appreciate it if you could just have a look through the harp part as you listen, just to see if there are any mistakes that should be fixed. Also ... Harp Question: Should I put pedal diagrams in; leave it blank, so that the harpist can work out the best pedalling for themselves; or somewhere in the middle (like maybe at the beginning and at certain rehearsal marks)? Program Note (if you're interested): The inspiration for the piece came from Rautavaara’s Cantus Arcticus, subtitled Concerto for Birds and Orchestra, in which Rautavaara incorporates tape recordings of birdsong’s in northern Finland and near the Arctic Circle. In “Le Jardin”, I transcribed the call of the cuckoo and used it as a leitmotif for the middle piece. In “Dawn”, at rehearsal mark A, flute 1 plays a bird song like melody which at rehearsal mark B, is imitated by the rest of the woodwind. This imitation at B represents the birds calling and responding to each other as well as the animals waking up and the day beginning. For the third piece, I wanted a contrast to the first two pieces. I decided to write a light, humorous, polyphonic piece and ants seemed like the clear choice. In “Ants”, I have the melodies enter one after another, like ants walking in a line.
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I'd greatly appreciate any feedback
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http://picosong.com/Gtvv/ I would love to have some feedback! It is my first time composing something as complex as this so any tips or advice would very much help. Thank you!
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This is an overture that I made dedicated to the state of Washington, it is called "Washingtonian Overture". As i'm only 15 (soon to be 16), I haven't had any professional training on music composition, so I would appreciate some feedback on this. Thank you for listening! Programs Used: Sibelius 7.5, Noteperformer
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Here is a piece for seven-part string ensemble with soloists, and it is about the eponymous poem by Major McCrae that was written about World War I. Let me know what you think!
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Mehdi HOSSEINI (*1979)Inertia I (2014), for clarinet/bass clarinet, piano, violin and celloENSEMBLE PROTON BERN Conductor: Matthias KUHNPerformers:Richard Haynes, clarinets/bass clarinetSamuel Fried, pianoMaximilian Haft, violinJan-Filip Ťupa, cello
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This was the second piece I composed for my degree after the Choral Fantasy, but I don't feel like it's quite up to par. I feel like it's mostly there but there are things that need to be cut in certain areas and/or reworked. This is intended to be a second movement for a larger work. I'll post both the Sibelius Essentials and the live recording from my recital but the live recording has a considerable amount of errors in this one, so do keep that in mind. I would love to know what works and what doesn't with this piece. I can't seem to decide if I like how lush it is in the beginning, or if I need to keep it more simple and make it more harmonically dense later on. And then there are some developmental parts which I'm just not quite satisfied with. I decided to post this here though instead of in the Incomplete Works forum because I feel like any cuts and changes I would make wouldn't be all that major. Please let me know what you think! Suite For String Orchestra Mov. II (c) 2013 Jair W. Crawford
