Search the Community
Showing results for tags 'ensemble'.
Found 15 results
-
Hello! I've composed this piece using special counterpoint rules, I hope you like it. Not the best midi (garritan) and the score isn't revised yet. It originally ended around the 3 minute mark, is it now too long?
-
Hello all, Here is my latest piece. It's a jazz piece, and the first thing a have written in that genre (besides 12-bar blues melodies). It's in a rough ABAB form, with melodies on the tenor sax and muted trombone. I heard the muted trombone being used to carry a jazz melody in a concert, and I love the sound. On the second B section, the tenor sax joins the trombone with a countermelody. Apologies for the trombone patch - out of the soundfonts I have on Musescore, there is no muted trombone. We can make do with a muted trumpet! (If anyone knows of any free soundfonts that have
-
Hey there, Here is another piece which I have been working on this semester! I really need to come up with a fun title, so if anyone has any ideas, please share! Also, I am happy to hear any comments on this work. It is in four movements, and I hope that you enjoy each of them (my personal favorite is the third one - 'Largo'). -
hey guys, my concert for violin and ensemble... what do you think? https://soundcloud.com/patrik-kako/asynchronie-18-1-patrik-kako-1/s-Ypr5C
-
The only real Ensemble piece I think I've ever written https://m.youtube.com/watch?t=61s&v=KRLE0oLd4IU
- 1 reply
-
- 1
-
-
- orchestral
- strings
- (and 2 more)
-
Here is the second part of the piece I sent a couple of weeks ago. Looking forward to feedback! (Description: I wrote two pieces for piano and a treble instrument around easter as a meditation exercise. The resulting music is what I have titled here as (meditation) I and II. In view of the project with the Sepia Ensemble, I decided to flesh out the music that I developed and arrange it for the instruments, which the ensemble offers. I left the piano and treble part untouched and only elaborated and amplified the fundamental ideas with the help of new instrumental parts.)
-
Hi all, I wrote two pieces for piano and a treble instrument around easter as a meditation exercise. The resulting music is what I have titled here as (meditation) I and II. In view of the project with the Sepia Ensemble, I decided to flesh out the music that I developed and arrange it for the instruments, which the ensemble offers. I left the piano and treble part untouched and only elaborated and amplified the fundamental ideas with the help of new instrumental parts. Looking forward to feedback! -
Hi all, this is an ensemble piece I have written for 'Zone Experimentale' from Basel. This recording is from a concert at the Mostra Sonora festival in Valencia. Looking forward to your comments.
-
So I wrote this piece little over a year ago and it was my first time writing for harp. If any of you play the harp, I'd especially appreciate it if you could just have a look through the harp part as you listen, just to see if there are any mistakes that should be fixed. Also ... Harp Question: Should I put pedal diagrams in; leave it blank, so that the harpist can work out the best pedalling for themselves; or somewhere in the middle (like maybe at the beginning and at certain rehearsal marks)? Program Note (if you're interested): The inspiration for the piece cam
-
I'd greatly appreciate any feedback
-
http://picosong.com/Gtvv/ I would love to have some feedback! It is my first time composing something as complex as this so any tips or advice would very much help. Thank you!
-
This is an overture that I made dedicated to the state of Washington, it is called "Washingtonian Overture". As i'm only 15 (soon to be 16), I haven't had any professional training on music composition, so I would appreciate some feedback on this. Thank you for listening! Programs Used: Sibelius 7.5, Noteperformer
-
Here is a piece for seven-part string ensemble with soloists, and it is about the eponymous poem by Major McCrae that was written about World War I. Let me know what you think!
-
Mehdi HOSSEINI (*1979)Inertia I (2014), for clarinet/bass clarinet, piano, violin and celloENSEMBLE PROTON BERN Conductor: Matthias KUHNPerformers:Richard Haynes, clarinets/bass clarinetSamuel Fried, pianoMaximilian Haft, violinJan-Filip Ťupa, cello
-
This was the second piece I composed for my degree after the Choral Fantasy, but I don't feel like it's quite up to par. I feel like it's mostly there but there are things that need to be cut in certain areas and/or reworked. This is intended to be a second movement for a larger work. I'll post both the Sibelius Essentials and the live recording from my recital but the live recording has a considerable amount of errors in this one, so do keep that in mind. I would love to know what works and what doesn't with this piece. I can't seem to decide if I like how lush it is in the beginning, or
