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    1. Announcements and Technical Problems

      Check here for the latest news, report technical problems with the board, or submit your suggestions

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  2. Upload Your Compositions for Analysis or Feedback

    1. Works with Few Reviews   (5,410 visits to this link)

      Works with 5 or fewer reviews, within the latest 3 months.

    2. Opt-In Works for Youtube   (2,844 visits to this link)

      Do you want to opt your music in for a chance to be used in a Youtube video or short? You can now opt in when uploading your music for review. You can "opt in / out" at any time, and remember, you always own the copyright to your work.

      Please make sure your recording is of somewhat decent quality to be considered.

    3. Orchestral and Large Ensemble

      Upload compositions which use an orchestra or a large ensemble (defined as one requiring a conductor)

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    4. Chamber Music

      Upload compositions written for a small group of instruments (including works with piano), or for solo instruments (other than works for solo keyboard)

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    5. Choral, Vocal

      Upload compositions that extensively make use of one or more singers, whether in the form of a soloist or a chorus

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    6. Piano Music, Solo Keyboard

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    7. Incidental Music and Soundtracks

      Upload video game music, film music and other forms not primarily intended for the concert stage

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    8. Jazz, Band, Pop, Rock

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    9. Electronic

      Upload music which makes use of electronic resources

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    10. Incomplete Works; Writer's Block and Suggestions

      Works here must be attached using the forum's attachment method. Incomplete works will not be categorized in the network.

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  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

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    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

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    3. Composers' Headquarters

      General discussion on composer-related issues and music composition.

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    4. Repertoire

      Talk about musical repertoire, from full-blown orchestral works to solo piano pieces

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    5. Performance

      Discuss the performance of music here, such as the characteristics and limitations of different instruments

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    6. Advice and Techniques

      Offer informal advice on methods of composition, compositional technique (e.g., fugue writing, chorale-style harmonization), etc., that you feel may be of benefit and interest to our members.

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  4. Competitions and Collaboration

    1. Competition Hall of Fame

      A list of winning works of all of our competitions

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    2. Monthly Competitions

      NEW Smaller-scale competitions held on a monthly basis

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    3. Collaborative Works

      Work on a piece with other composers

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    4. Challenges

      "Little creative exercises for composers to think outside of the box."

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    5. External Competitions

      External competitions that are not hosted by Young Composers.

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  5. Technological

    1. Music Jotter

      Young Composers has developed a new music software, with a focus on speed, playback and ease of use.  This forum will be used for support, sales questions and bug submissions.

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    2. Music Notation Software Help and Discussion

      Post questions about your music notation software of choice.  Whether it be Finale, Sibelius, MuseScore, Dorico or anything else you may be using.

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    3. Sound Libraries

      Discuss different sound libraries. This is also the place to talk about software samplers, such as EWQL, VSL, GPO, Kontakt and Gigastudio

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  • Works With Few Reviews

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  • Topics

  • Posts

    • Well I’m very used to a Beethovanian Scherzo marked in three in a bar so I just retain that! Henry
    • Haha yeah, given how lame the Ab major sections surrounding it! I definitely need more HUMOR in my life, whether it’s the joyous mood or the body fluids lol! Henry
    • Thx for your information! It’s really useful! I guess I won’t have my Sextet performed by them given the cost lol haha. Oh I also just finished a Violin Sonata commissioned by @expert21 and also feature dance rhythm…… 😛 Henry
    • Thanks for your comments, Henry--and yes, if you're writing chamber music, nothing compares to a live performance--the strings were so much more detailed and nuanced, emotive.     This is very helpful for me to remember and to write with this in mind.  I was shocked at how much Derek brought out of the piano part!   The Cost?!    A lot!  The musicans were $100/hr.    x4 hours for the recording session.  The studio was $75/hr.    This included the enigneer and access to the glorious Yamaha C-7 (7.5 ft conservatory grand) freshly tuned.    I spent 3 hours in post-production for splicing and mixing.  It was a $2k day.     This is summer vacation money for a family for 5 or 7 days.  This is how I choose to spend my treasure--  I rationalize it by calculating that a composition degree and access to musicans would cost $60k-80k (easily) at university.  I hope to write something substantial each year and go to studio in the late spring /summer--at least untill I have internalized the lessons to be had from working with real musicans and recording.    Next: A violin sonata (violin+ piano) which will be cheaper by almost half!   I want to do a full-on string quartet after that....     The musicans:  They were great! NO  auto-tune here.  A few pitch issues but really very, very good.   All University of MIchigan trained string players.  Master's degreed.  Derek is a fresh graduate of Wayne State University, and has a great career ahead of him.  He prepped this in 7 weeks, where 3 months would be the norm... I just googled for string players.  They gave me the lead on the pianist...  I think I got lucky...     I think I'm going to start the violin sonata and back track and do the last movement of the PQ--  a tarantella tempo piece with a Siciliano B section (my mom was Sicilian).  Up-tempo and a bit more adventerous...     
    • Re-hearing the piece I was thinking if you could also use 3/8 at a slower tempo or 4/4 but all the crotchets here are then in triplets - since counting this fast may be challenging and unnatural, then I suddenly realize why you chose 108 per dotted minum, which makes complete sense - but again, just personal notational preferences at the end of the day I guess.
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