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    1. Announcements and Technical Problems

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  2. Upload Your Compositions for Analysis or Feedback

    1. Works with Few Reviews   (5,621 visits to this link)

      Works with 5 or fewer reviews, within the latest 3 months.

    2. Opt-In Works for Youtube   (2,990 visits to this link)

      Do you want to opt your music in for a chance to be used in a Youtube video or short? You can now opt in when uploading your music for review. You can "opt in / out" at any time, and remember, you always own the copyright to your work.

      Please make sure your recording is of somewhat decent quality to be considered.

    3. Orchestral and Large Ensemble

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    4. Chamber Music

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    5. Choral, Vocal

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    6. Piano Music, Solo Keyboard

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    7. Incidental Music and Soundtracks

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    8. Jazz, Band, Pop, Rock

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    9. Electronic

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    10. Incomplete Works; Writer's Block and Suggestions

      Works here must be attached using the forum's attachment method. Incomplete works will not be categorized in the network.

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  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

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    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

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    3. Composers' Headquarters

      General discussion on composer-related issues and music composition.

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    4. Repertoire

      Talk about musical repertoire, from full-blown orchestral works to solo piano pieces

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    5. Performance

      Discuss the performance of music here, such as the characteristics and limitations of different instruments

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    6. Advice and Techniques

      Offer informal advice on methods of composition, compositional technique (e.g., fugue writing, chorale-style harmonization), etc., that you feel may be of benefit and interest to our members.

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  4. Competitions and Collaboration

    1. Competition Hall of Fame

      A list of winning works of all of our competitions

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    2. Monthly Competitions

      NEW Smaller-scale competitions held on a monthly basis

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    3. Collaborative Works

      Work on a piece with other composers

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    4. Challenges

      "Little creative exercises for composers to think outside of the box."

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    5. External Competitions

      External competitions that are not hosted by Young Composers.

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  5. Technological

    1. Music Jotter

      Young Composers has developed a new music software, with a focus on speed, playback and ease of use.  This forum will be used for support, sales questions and bug submissions.

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    2. Music Notation Software Help and Discussion

      Post questions about your music notation software of choice.  Whether it be Finale, Sibelius, MuseScore, Dorico or anything else you may be using.

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    3. Sound Libraries

      Discuss different sound libraries. This is also the place to talk about software samplers, such as EWQL, VSL, GPO, Kontakt and Gigastudio

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  • Works With Few Reviews

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  • Topics

  • Posts

    • Vladisove
      Op.6 Symphonic Suite from Freyja - Vanadis

      By Vladisove · Posted

      Hey everyone! My name is Vlad, and in my free time, I dabble in composing what I like to call "pseudo-academic" music. I have absolutely no formal music education—just countless hours spent listening to classical works. I’d love to share my Symphonic Suite from Freyja - Vanadis, a piece heavily inspired by Sibelius and Wagner.
    • lorenz.
      wind quintet

      By lorenz. · Posted

      hi everyone! This is my first post here—I'm excited to join this community! I'm not a trained composer (just a flutist), but I recently wrote a wind quintet as a gift for a friend, and I’d really appreciate any feedback or suggestions you might have. The piece want to create an intimate atmosfere, something pastoral and calm. It is based entirely on the melody of the Italian scout song "Strade di coraggio". The theme appears clearly between bars 174 and 218 where its passing from a voice to the other, though it’s hinted at in individual instruments earlier. I was working under a tight deadline, so I had to rush through some parts. Dynamics and articulations are still quite rough and mostly sketched in. Thanks in advance for listening and for any thoughts you’d like to share! i hope you will enjoy it although its a but rough, ripetitive and without form. https://musescore.com/user/36133708/scores/25786078   Wind quintet 1.xml Wind quintet 1.xml Wind quintet 1.xml
    • james1
      My variations on Diabelli's Allegretto in C

      By james1 · Posted

      Hi, I am studying piano and there's this cute Grade 1 piece I am practicing now, Allegretto in C by Anton Diabelli. I thought it would be interesting to change it, and this is the result. I never studied composition so I don't know if this is any good but I had some good fun with it! The recording is a MIDI played by my notation software, because I am not good enough to play this smoothly myself yet.
    • PeterthePapercomPoser
      Rondo Valse

      By PeterthePapercomPoser · Posted

      Hi @BipolarComposer! I really wanted to try and give you a constructive critique for this one.  I think there are many pros to this piece: It has a mysterious and dance-like feel (especially with the percussion). The orchestration is differentiated and you achieve some nice contrasts! The melody is harmonized in very interesting ways including doublings at intervals that are different from the expected 3rds and 6ths, sometimes including whole chords as a doubling, other times 4ths and 5ths. Some of the cons (imo): The orchestration is sometimes very thin and at other times very thick and bombastic with seemingly no middle ground. Some of the instruments aren't being used very idiomatically (such as the pizzicato strings). The piece sounds kind of same-y dynamically and intensity wise.  The dynamics and intensity only change by adding or removing instruments rather than creating crescendi or decrescendi.  (Not sure this really applies after my 3rd listening.) The tempo could also stand from accelerandi or ritardandi in choice spots to help the music arrive at a point of higher intensity or recede from an intense section in a kind of denouement. The piece lacks to me the lucidity of say, a Beethoven Symphony movement.  The melody seems to meander here and there without unity and relatedness.  I think the go-to example for how intense a melody can be if it's masterfully unified is Beethoven's Symphony No. 5 1st movement.  He builds the whole movement out of that single motif.  Even the longer leading melodic lines are constructed in fragments out of that motif, blurring the line between motivic and thematic composition.  This piece in comparison, sounds at times very leisurely at best and meandering at worst because it lacks that drive and unity.  The ending as well is kind of a throw-away because it doesn't feel like the music has taken the listener on a journey and so the piece ends very underwhelmingly.  The formal sections of the piece seem to all be in the same key and so kind of blend together into one long section despite the many contrasts you introduce. That's my critique, although of course I really enjoyed the piece!  Thanks for sharing.
    • L.S Barros
      I made this early baroque sonata for 5 instruments and Basso Continuo.

      By L.S Barros · Posted

      Thank you! I used the default Musescore and the Jeux de orgues soundfonts as i don't know how to work with VSTs (And even if i knew VSTs dedicated to early music are scarse).
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