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    1. Announcements and Technical Problems

      Check here for the latest news, report technical problems with the board, or submit your suggestions

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  2. Upload Your Compositions for Analysis or Feedback

    1. Works with Few Reviews   (5,410 visits to this link)

      Works with 5 or fewer reviews, within the latest 3 months.

    2. Opt-In Works for Youtube   (2,844 visits to this link)

      Do you want to opt your music in for a chance to be used in a Youtube video or short? You can now opt in when uploading your music for review. You can "opt in / out" at any time, and remember, you always own the copyright to your work.

      Please make sure your recording is of somewhat decent quality to be considered.

    3. Orchestral and Large Ensemble

      Upload compositions which use an orchestra or a large ensemble (defined as one requiring a conductor)

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    4. Chamber Music

      Upload compositions written for a small group of instruments (including works with piano), or for solo instruments (other than works for solo keyboard)

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    5. Choral, Vocal

      Upload compositions that extensively make use of one or more singers, whether in the form of a soloist or a chorus

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    6. Piano Music, Solo Keyboard

      Upload piano and solo keyboard works

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    7. Incidental Music and Soundtracks

      Upload video game music, film music and other forms not primarily intended for the concert stage

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    8. Jazz, Band, Pop, Rock

      Upload Jazz, Band or Pop/Rock compositions

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    9. Electronic

      Upload music which makes use of electronic resources

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    10. Incomplete Works; Writer's Block and Suggestions

      Works here must be attached using the forum's attachment method. Incomplete works will not be categorized in the network.

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  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

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    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

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    3. Composers' Headquarters

      General discussion on composer-related issues and music composition.

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    4. Repertoire

      Talk about musical repertoire, from full-blown orchestral works to solo piano pieces

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    5. Performance

      Discuss the performance of music here, such as the characteristics and limitations of different instruments

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    6. Advice and Techniques

      Offer informal advice on methods of composition, compositional technique (e.g., fugue writing, chorale-style harmonization), etc., that you feel may be of benefit and interest to our members.

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  4. Competitions and Collaboration

    1. Competition Hall of Fame

      A list of winning works of all of our competitions

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    2. Monthly Competitions

      NEW Smaller-scale competitions held on a monthly basis

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    3. Collaborative Works

      Work on a piece with other composers

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    4. Challenges

      "Little creative exercises for composers to think outside of the box."

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    5. External Competitions

      External competitions that are not hosted by Young Composers.

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  5. Technological

    1. Music Jotter

      Young Composers has developed a new music software, with a focus on speed, playback and ease of use.  This forum will be used for support, sales questions and bug submissions.

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    2. Music Notation Software Help and Discussion

      Post questions about your music notation software of choice.  Whether it be Finale, Sibelius, MuseScore, Dorico or anything else you may be using.

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    3. Sound Libraries

      Discuss different sound libraries. This is also the place to talk about software samplers, such as EWQL, VSL, GPO, Kontakt and Gigastudio

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  • Works With Few Reviews

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  • Topics

  • Posts

    • Re-hearing the piece I was thinking if you could also use 3/8 at a slower tempo or 4/4 but all the crotchets here are then in triplets - since counting this fast may be challenging and unnatural, then I suddenly realize why you chose 108 per dotted minum, which makes complete sense - but again, just personal notational preferences at the end of the day I guess.
    • Hey @Rich! The live version is so so so much better than the computer version. The sadness already contained in your music is a million times enhanced here, as I had listened to both versions and can easily listen the difference! Those subtle tempo rubato would not be possible in a computer rendition at all, as well as the very detailed changes of tones .  There's one (two actually lol) question for me, how much is the cost for hiring the entire ensemble and also the production team? They are really professional here! How did you find them in the first place? Thx very much for sharing your precious live recording of your own movements! Hope you will also submit the other movements to them too so we can enjoy (free-ridingly lol) more!!!!!!!!!!!!!!! Henry
    • At last, I can post the studio recording of my Piano Quartet in C minor.     The two movements were recorded in a 4 hour session on 5/23, and spliced/mixed today 5/30.   I've learned so much, and am very  happy with the result, as solo strings are not good on ANY VST, compared to professional string players.  The pianist stepped in on short notice and did wonders humanizing the  piano part--the chorale and 2nd movement theme sound fantastic!  Now I have a concrete reference for what my writing sounds like with actual musicians.   I plan to do another pass over the score, as there are things that need improving on my part.   A worthwhile and important step in my DIY musical education!.... The artists: Fantastic musicians, and they all helped me consider my writing, score/part preparation and musical issues in new ways!---- Violin:  Dan Winnick Viola: Chloe Thominet Cello: Michelle Kulwicki Piano: Derek Szlauer Recorded and mixed and Big Sky Recording, Ann Arbor, Mich.  Geoff Michael, Engineer. 5/23/25 and 5/30/25.  
    • Hello @Eric N! The Invasion sounds like a chic version of a Bach Prelude which I like, with a 3+3+2 rhythm throughout the music. I personally love the eclipse more, it's more colorful with some effects on it. I think you can simply learn orchestration yourself! Never say you are only good at A or B, you won't be good at C had you not attempted on it! Thx for sharing. Henry
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