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Found 60 results

  1. I don't know why more people don't want to do competitions, you're GUARANTEED peer review and a bigger platform to share your music. I'm open to any ideas, I'm thinking solo piano or something similar and simple. Let me know if you're interested and in about a week we'll see who wants to participate and what theme we should use etc. etc. If there are obvious skill differences then we could break it up into groups, but come on people let's get a good group together and see what we all come up with.
  2. Ninth Plant New Music is excited to announce the 35th annual Suzanne and Lee Ettelson Composer’s Award. An award of $1,000 will be given for a new chamber work. The winning work will be performed in the San Francisco Bay Area during Ninth Planet's 2020-21 concert season. Works not awarded prizes will also be considered for programming. This award is excellent for young and emerging composers! Past winners have included now prolific composers such as Mason Bates, Jennifer Higdon, and David Lang. For details and to enter, please visit our website: http://www.ninthplanetmusic.org/ettelson.html Entries may be scored for one to five performers plus conductor. Performers shall be drawn from the core instrumentation of the ensemble Ninth Planet (one player each): flute/piccolo/alto flute clarinet/bass clarinet trombone electric guitar piano violin cello double bass Scoring may include one or two instruments not listed above, including voice(s) and electronics, but must include at least one member of the core instrumentation. There is no limit to piece length. Entry deadline is Jan. 19, 2020.
  3. Dear all, This work is written as an Entry piece for the Poor Form Competition. Please check the playlist in Soundcloud: It's again a long time since I upload any of my new works. And yes, I faced many personal and social challenges, and probably I reflected those frustrations and fear in this piece. For the (fantasized) story, here is a short plot: Mov I - Born in Chaos: It is depicting the early life of the Prince born in a falling and chaotic empire. The Prince (As in the heroic theme, uplifting as in Strauss's Poems) is the only thing that gives hope for the empire. The rest of the passages are all dark and spreading horrors, mimicking wars and famines. Mov II - Prince's Troops: The Prince is now a young leader of the empire. The troops he recruit show their power to his people and march to the battlefield. Mov III - Rite for the Dead: The Prince has won the battle and settle the threats. In remembrance of the dead, he holds a ritual for them to praise their contributions. All souls are remembered and blessed. I am enjoying this challenge and I hope you enjoy this work, too! I have planned to write more movements on this theme, but due to the deadline I shall submit these 3 first. (Tell me if you think there can be more! :D) Best, HoYin
  4. Hi, i want to share our competition with you. It´s my first posting so please help me if i did something wrong 🙂 Write the Super hit! Inspire the audience with your music and win prize money totaling 11.000€ with your composition – take part in the Progressive Classical Music Award 2019! Compose new music for two violins that goes under the skin and sweeps audiences off their feet. There is no limit to your imagination. Using virtuosity or simply great emotionality– always remember that the audience has to be touched or carried away! The style does not matter. Playing technique should be challenging, unconventional, with new effects, nice melodies, extreme sounds or hot rhythms – let your imagination run wild! Orchestration: 2 violins. Form: about 5 minute music. Info: The work has to be composed for this competition. Adaption or arrangements are not permitted. Multiple submissions are allowed. Closing date for entries: 5. July 2019, 23:59 CET Finale with LiveStream: September 28, 2019, 20:00 CET, Reiss-Engelhorn-Museen D5, 68159 Mannheim UNESCO City of Music, Germany Prizes 1. Prize: 5.000€, sponsored by Spiegel Institut Mannheim 2. Prize: 3.000€, attribution pending 3. Prize: 1.000€, sponsored by Ingenieurbüro Bräuer + Späh 4. Prize: 800€, sponsored by Dr. Hans-Oskar Koch 5. Prize: 600€, sponsored by GMS CNC-Technik 6. Prize: 600€, sponsored by GMS CNC-Technik Additionally, the prizewinner works will be recorded by The Twiolins and added to their concert repertoire. Course After a thorough examination by the jury, six works will be selected from all submissions. These will be premiered in the prize winner concert by The Twiolins. Following the concert, the audience will vote on the awards. Additionally the prizewinner works will be recorded professionally on a CD. For details see terms and conditions. Registration Please read the terms and conditions. Please use the registration form to submit your composition. FAQ & more information Please visit the website at https://www.pcm-award.com/en/award-2019/announcement-2019/
  5. Musicworks’ 2018 Electronic Music Composition Contest is now open. Musicworks’ annual juried contest spotlights new musical talent from around the world and offers cash prizes and opportunities to be published and heard. First prize is $500 CDN, a composer profile in Musicworks 133, Spring 2019 issue (both in print and online) and the composition released on the Musicworks 133 CD. Second prize is $200 CDN and composer coverage on musicworks.ca in 2019. Third prize is $100 CDN and composer coverage on musicworks.ca in 2019. Compose an experimental piece in any electronic-music genre—acousmatic, electroacoustic, glitch, soundscape, intelligent dance music (IDM), turntable art, or video music. The contest is open to entries from anywhere in the world and from artists at any stage of their careers. Pieces must be previously unpublished, i.e. not released on a commercially available recording at the time of submission. Maximum length:10 minutes. Accepted file types: MP3 or MP4 only. Contest entry fee is $25 CDN and includes a one-year subscription to Musicworks—less than our normal subscription rate! Additional entries are $5 each, unlimited. Contest closes October 26, 2018. Prize details, eligibility and assessment criteria, rules and restrictions, and entry portals can be found at musicworks.ca
  6. This is a Link on this website to Shelia's post about a competition, thought I would share in this sub-forum: @pateceramics
  7. My submission for the Winter Competition. It was written pretty hastily over the past week or so, after previous attempts for the competition didn't pan out. All things considered, I liked where it went in the time that I had to write it. I hope you enjoy it.
  8. I am writing music for our school. We are participating in the Grampian's Children's Book Awards and my group have asked me to write some music. This is just the first draft, any criticisms welcome!
  9. YOUNG COMPOSERS COMPETITION EMOTIONS Hi everyone! Last year’s winter competition was a little bit laid back so I thought about doing a similar thing this time. Instead of stories, we’re going to do what artists do best and express our emotions! This may sound like a little bit of a happy-go-lucky competition idea, but it’s simply meant to be relatively freeform, but specific enough where the composer should learn a little bit more about themselves, and the listener should learn a little more about them. I hope you all enjoy looking within yourself and showing us all how your life plays out through emotions… what drives you, motivates you, and forces you away. Let your music do its job! ELIGIBILITY: *You must be a member of the Young Composers forum in order to enter. Sign ups will be in the comments below. *There will again be no limits to instrumentation, but a smaller ensemble is encouraged, for a more personal feeling. Extra points will not be given for smaller ensembles. *The minimum length for this competition will be 6 minutes. The maximum is 30 minutes. *You must have some sort of audio rendition accompanying your work, otherwise your entry will be disqualified. *A score is required, but is not as heavy a focus as previous competitions. If you want to enter and are not proficient at engraving, message @Monarcheon. *If you volunteer to be a judge, you may not enter as a contest participant. *Entrants should have an intermediate understanding of engraving and orchestration. *Entrants may only submit one work. RULES AND SCORING: Submit a score that represents and answers the following questions: “How does this emotion feel within me?” | “How do I outwardly express this emotion?” Competitors are expected to deal with at least 3 emotions throughout the piece. This can either be in programmatic sections or in one arc-like movement. Here, much like last time, you will be judged on your ability to effectively develop thematic material (/25), and your ability to answer the two questions in such a way where the audience can understand it (/25). The more technically based compositional aspects are judged here. These aspects include score quality (/10), audio file quality (/10), and orchestration (/15). Finally, submit a written component answering the above two questions for every emotion you deal with in the piece (/15). This should include what techniques you used to demonstrate certain aspects of each, keys, styles, or anything else you feel is prudent. You are graded on how easy it is to match your written description and you piece. TOTAL: /100 Deadline for Intended Entry: March 10th Deadline for Piece Entry: March 17th Scoring Deadline: March 20th PRIZES: All entrants receive detailed feedback on their works. The winner’s piece will be placed in the YC Competition Hall of Fame. It is possible that winners receive a full year’s subscription compensation to Sibelius, but we are still working on that (THIS FINAL PRIZE IS NOT GUARANTEED). HAVE FUN WITH THIS!! Good luck! Judges: @Monarcheon @MusicianXX12 Entrants: @oingo86 @Noah Brode @Rabbival507 @Gustav Johnson @celloman99 @Some Guy That writes Music
  10. Mauricio Kagel Composition Competition http://www.mauricio-kagel-composition-competition.com Considering the relative overabundance of piano literature, it would be seemingly foolhardy to stage a composition competition promoting the creation of new pieces for piano. Everything appears to exist already, even pieces for children and young adults. Still, far too frequently it is precisely this contemporary „educational literature“ which proves lacking in artistic qualities; accompanying a reduction in technical difficulty, with an objectionable reduction in the notion of what children and young adults are capable of understanding – both intellectually and emotionally. We are looking for piano pieces written for children and young adults which, although limited in their technical difficulty, remain uncompromising in their artistic aim; pieces written with a contemporary compositional technique which offer the young student stimulus, insight and new experiences: experiences about oneself and the world in which we live. With the creation of this competition, the Ludwig van Beethoven Department of Piano and Harpsichord in Music Education would like to ensure that such quality pieces are more prevalent in the future and to this end we invite composers to accept the challenge by enrolling in the competition. In the course of a week’s time an audience comprised of students, teachers, and performing artists will be given the chance to listen as the jury evaluates the different ways this challenge has been addressed by the composers. The jury will assess not only the artistic quality of the pieces, but also the question: what does a piano student learn from these pieces? And in addition the discussion will cover what makes a piece exciting and what is future-oriented; while at the same time never loosing sight of the technical limits implied when composing for children and young adults. The decision of the Jury to award the prizes within the course of the Maurico Kagel composition competition is reached, therefore, in a very special way – not behind closed doors, but in open and public discussion. The winning pieces will be technically suitable for children/young adults but will not compromise their artistic aim in order to make a pedagogical impact. Instead, they will be convincing due to their compositional quality. General Conditions Conditions for Participation a) The competition is open to all composers born after August 15th, 1978. Participants who were awarded prizes in 2010, 2013 and 2016 are no longer eligible to enter. b) The submitted score should be composed for this competition. The composition must not be older than three years and should not have been performed privately or publicly, copied, distributed, broadcasted or made accessible on the internet. c) Each composer may submit only one score in its entirety and not in part. Details of the composition The composition should be written for one piano (solo or for more than one pianist), and can include all facets of the instrument. It is of great importance that the pieces be appropriate in their level of difficulty for children / young adults and be suitable for pedagogical use. Therefore the pianistic difficulties and musical challenges should be conceived with children / young adults in mind. The score is expected to be comprehensible and clear. Instructions for performance must be written in German or English. The piece or group of pieces is expected to have a total length of between 6 and 15 minutes. Applications a) The participants are to send an envelope marked on the outside with a freely chosen five-digit code which will secure the anonymity of the participant. The envelope should contain: 1. six copies of the piano score - each annotated with the same five-digit code. The composer's name should not appear on the score 2. an additional sealed envelope marked with the same code and containing the composer's personal data, a short curriculum vitae and two recent photos. b) All entries must be postmarked no later than August 15th, 2018 and should be addressed to: Universität für Musik und darstellende Kunst Wien Ludwig van Beethoven Institut für Klavier und Cembalo in der Musikpädagogik Rennweg 8 1030 Wien Österreich Jury Michael Jarrell Isabel Mundry Robert HP Platz Rebecca Saunders Marco Stroppa • From the entries received, each jury member will nominate several pieces to be included in the Vienna Days of Contemporary Piano Music 2019 (February 4th - 7th, 2019), openly discussed by the jurors and considered for a prize. • The presentation of the prizes will take place on the 7th of February, 2019 during the Vienna Days of Contemporary Piano Music 2019. • The organizers reserve the right to find replacement jury members as seen necessary. • The jury is free in its decision making. All decisions of the jury are final and indisputable. There can be no appeal against the jury’s judgement. Prizes 1st Prize € 5.000.- 2nd Prize € 3.000.- 3rd Prize € 2.000.- The jury may decide to divide the prizes or not to award a prize. Winning scores will be published together in a volume entitled K2019. Additionally, the jury may create a list of recommended pieces. The Ludwig van Beethoven Department of Piano and Harpsichord in Music Education will release digital recordings of the prize winning pieces and selected recommendations from the jury. Legal Information Scores received cannot be returned. The organizers of the competition cannot be held responsible for post which arrives damaged, goes astray or is delivered late. Registration for the competition and the submission of scores implies the unconditional acceptance of all conditions set forth herein. The composers of the submitted scores retain their rights as copyright holders. The Ludwig van Beethoven Department of Piano and Harpsichord in Music Education retains the right to visually and acoustically document, record and reproduce all concerts, performances and presentations held during the course of the competition and the subsequent Vienna Days of Contemporary Piano Music for the purpose of advertising the competition. The musical works enshrined in those sound and/or audiovisual recordings may be copied, distributed, performed, combined with other kinds of works, broadcasted and made available to the public free of charge without limitation to time, space or scope, as long as those recordings are used for non-commercial purposes. In case the author is represented by a collective management society, she or he has to see to the formalities according to the applicable rules of the respective societies in order to be able to grant a licence for non-commercial purposes prior to the recording. This licence is transmissible to third persons. In case of an intended use for commercial ends, the rightsholder has to grant the respective permission. Litigation is excluded as a possibility for settling disputes arising in connection with the competition. http://www.mauricio-kagel-composition-competition.com
  11. Variation Project is calling for submission. We are looking to find 5-10 newly composed variations on the canon that was used to compose “Goldberg Variations” by J. S Bach. The canon can be found https://ilyafriedberg.com/variation-project/ Each variation should last between 1 to 6 minutes. You can submit as many variations as you wish, as long as it is done separately. We are launching this exciting project to extend JS Bach’s Goldberg Variation by adding 20-30 newly composed variations. With successful fund raising (please spread the word!) and lots of interests, we hope to bring new freshness to this work. The selections will be made anonymously, purely based on the work. The project assistant will receive the submissions and transfer the anonymous scores for review. The submission to the Variation Project is free. I have decided to fund the project purely from crowdfunding because I wanted to make it possible for composers to submit their works without monetary pressure. So please do spread the word to your fellow supporters of new music and performance. This is the first of hopefully many more projects to discover new composers and their works. In order for this project to come to life, I will need lots of submission AND support thru kickstarter, see details https://www.kickstarter.com/projects/canon/bach-variations-and-more?ref=email The composer of the winning work will receive a professionally produced sound and audio recording of the performance $250 reward The project’s webpage is https://ilyafriedberg.com/variation-project/ Please check the page periodically to be informed of possible new updates. Any information or questions not found can be directed to jconcertseries@gmail.com ELIGIBILITY: Any composer is eligible regardless of age, nationality, sex, color, creed, sexual orientation, marital status, disability or veteran status. TO APPLY: 1. Each entry of one (1) anonymous score must be emailed in pdf format to jconcertseries@gmail.com (subject: “VariationProjectBach”) along with: a. An info sheet (.pdf, .doc, .docx, .odt, or .txt ) with composer’s name, length of work, short bio (no more than one page), and contact information GUIDELINES: 1. Application Deadline: All submissions must be received by 11 :59 pm EST on January 05, 2018. Entries received after this date will not be considered. 2. Regardless of the fact that the project can only be materialized with successful funding, you are welcome to submit your work before December 3, 2017. 3. Composers may submit as many entries as they wish, but separate submission will be required. (only one variation per email) 4. A $250 reward is per variation (ex. If two or more winning variations come from the same composer, the reward will still be given $250/one variation) 5. No name or any personal information should appear anywhere on the submitted score or the subject/body of the email. Any submission with identifying information will be disqualified from the selection and will not be reviewed. 6. Works that require extended piano technique is accepted and encouraged, you may use pre-recorded track to go along with the performance as well. 6. The winning composition will be announced on February 01, 2018. 7. The results will be announced on the project website and winning composers will be contacted individually. 8. Please see the FAQ below for the most commonly asked questions. Any additional questions may only be sent to jconcertseries@gmail.com. Note: Please do NOT send submission materials or any questions to the kickstarter page, generall email address, social media or contact personally, as this will violate the fairness of the selection process. FAQ: Q: Can the variation be longer than 6 minutes? A: No. Every submission must have a duration between 1 to 6 minutes. I am hoping to have the final project (original+ new variations) no longer than 2:30 hours total. Q: Can I submit a work that includes other instruments or electronics? A: No, you cannot include other instruments but you may submit your variation with an pre-recorded audio track. Deadline: 05 Jan 2018 11: 59 pm EST Entry Fee: 0.00 (Your word of mouth will be greatly appreciated for funding of the project!) Currency: U.S. Dollar (USD)
  12. Hello everyone, Thank you to all the entrants for your hard work in completing the Summer 2017 Competition! The judges -- Maarten Bauer and myself -- have also worked very hard since the submission deadline to provide you with helpful critiques and commentary. Detailed commentary will be posted below. Everyone should be proud of themselves for their good work. Without further ado, here are the final scores for the Summer 2017 Competition: - Monarcheon: (TIED FOR FIRST PLACE) Maarten Bauer: 40 / 50 Noah Brode: 44 / 50 TOTAL: 84 / 100 - Punintentional: (TIED FOR FIRST PLACE) Maarten Bauer: 40 / 50 Noah Brode: 44 / 50 TOTAL: 84 / 100 - Luis Hernandez: (THIRD PLACE) Maarten Bauer: 37 / 50 Noah Brode: 42 / 50 TOTAL: 79 / 100 - Gustav Johnson: (FOURTH PLACE) Maarten Bauer: 35 / 50 Noah Brode: 40 / 50 TOTAL: 75 / 100 - luderart: (FIFTH PLACE) Maarten Bauer: 32 / 50 Noah Brode: 35 / 50 TOTAL: 67 / 100
  13. This is my entry for the forum's summer competition. The 4 pieces in the suite are based on the following abstract expressionist art: 'Vir Heroicus Sublimis' by Barnett Newman https://www.moma.org/collection/works/79250 'Autumn Rhythm' by Jackson Pollock http://www.metmuseum.org/toah/works-of-art/57.92/ 'PH-129' by Clyfford Still https://clyffordstillmuseum.org/object/ph-129/ 'Landscape at Stanton Street' by Willem de Kooning http://www.tate.org.uk/art/artworks/kooning-landscape-at-stanton-street-p77158 Here are the score-videos for each the pieces. 'Vir Heroicus Sublimis' https://youtu.be/q9g-3ff7m24 (for this piece, I'd strongly recommend reading the program note at the beginning of the video before listening to it) 'Autumn Rhythm' https://youtu.be/vTQBn4VWz4c 'PH-129' https://youtu.be/IgPXB1T1cRg 'Landscape at Stanton Street' https://youtu.be/iB8_38S7jdY There's also a YouTube playlist of all the score-videos https://www.youtube.com/playlist?list=PL5bWnXp9PjtS8mePM3xsTz5ebT3z8ZxWp NB: The full program note is in the pdf score.
  14. Hello YOUNG COMPOSERS! Many of you may know me as a former administrator on Young Composers (4 to 5 years ago, to be exact). I am now the founder and owner of a fresh online radio station. The mission of our station is the promotion of modern classical music by today's new and emerging composers (including yourselves.) Our station recently completed a call for works that have netted over 6000 live recordings from composers all over the world. As part of our development, we are looking for catchy, innovative, and appropriate jingles to fit our broadcast lineup. Thus, we turn to the next generation of composers - you! Requirements: 1. Can be for any instrumentation 2. Must be either a realistic rendering or live. 3. Must be between 30 secs to 1 minute in length. 4. Must incorporate the words Et Lux Radio (either spoken or sung) 5. Must be original music. We are looking for 3 different jingles of varying styles! Each of the three jingles will be rewarded with incorporation into our broadcast lineup, mention on our FB page, and possible cash prizes soon to be determined and announced. NOTE: This competition is only open to members of the YC forum. I will be viewing entrants profiles to insure steady activity within the forum -so please DO NOT create a member profile just to enter, your work will not be selected. Thanks and Good LUCK! -Jason A Woodruff, Founder -Et Lux Radio
  15. Hello everybody! At the moment the Young Composers website does not have a logo, nor a favicon. So, Chopin and I came on the idea to hold a logo AND a favicon design for the website. This competition is meant to everybody who is a YC member and you do not have to be a professional designer to join. Be as creative as you want! All submitted designs will be showed in the first Young Composers Magazine. After the publishing of this, all YC members can vote which one they like the most. Finally, Chopin can adjust minor things if needed. To avoid any ambiguities: Logo: will be placed somewhere between the header. The header would be considered anything above the navigation tabs. So that little bit of area between the tabs and the top of the page. Favicon: the icon that is shown to the left of the address bar in any of the browsers. For instance: http://www.shopalot.com.au/wp-content/uploads/2013/04/example-favicon.jpg A square form is preferred, because Chopin can then easily resize both images if the are too big to fit the header and / or the favicon. The name Young Composers needs to be included. Deadline Offical deadline is the 1st of October. Eventual latecomers can be rejected. How to participate Answer the poll with yes. If you do not want to participate, do not answer the poll. Submit your designs After you have finished both designs, make sure that you send a PRIVATE MESSAGE to @chopin and me. This is to avoid any cheating regarding creativity. All posts including images with designs by logos publically posted will be deleted. Your submission needs to contain a brief motivation why you have made the designs as they are. Voting via the magazine All submitted designs will be showed in the first Young Composers Magazine. After the publishing of this, all YC members can vote via a new topic in this forum which one they like the most. Reward Eternal fame. People visiting the forum will see the beautiful logo and icon designed by you. When there are any questions, just ask them here and Chopin or I will answer them. The best of luck! Kind regards, Chopin & Maarten Bauer
  16. YOUNG COMPOSERS COMPOSITION COMPETITION Summer of 2017 Welcome to the 2nd official summer competition! It’s a time to go outside and see the sun, concerts, murals, dance, and all things relaxing, and we’re hoping to capture the essence of that for this competition. Modest Mussorgsky famous wrote his piece, “Pictures at an Exhibition”, written after Viktor Hartmann’s paintings of travel were shown at an exhibition in his honor. While some are lost, we’ve been treated to many different musical renderings of different art in the past, including literature, art, and even dance, retrospectively. This competition will have composers engage in all kinds of art in new ways, and create new works that cross and defy different mediums and genres! GOAL: Create a suite of 4-9 pieces based on different works of visual art (painting, oil on canvas, sculpture, architecture, etc.), a la “Pictures at an Exhibition”. These works of art should be connected in some way, though this criteria requirement is arbitrary by design to encourage the creativity of composers. ENTRY REQUIREMENTS: *Be a member of YC. *Signal your desire to enter by September 10th by commenting on this thread. *Submit your entry by September 17th (11:59:59 PST), provided you signaled your desire to entry correctly. *At the time of submission, submit an audio mockup (MIDIs are acceptable). *We also want members of this site to volunteer their time to judge. If you do volunteer, I ask that you have some working knowledge of art and orchestration. *One piece per composer. SUBMISSION REQUIREMENTS: At the time of submission submit a PDF with: *all art works used, labeled with the artist and the date. *a short, written description of the criteria linking the art you chose. *a written description of the relevance of each artistic work to each movement. Your piece should include: *4-9 short movements all labeled with the titles of each work at the top of each. *Any ensemble you desire. *A run time of no less than 5 minutes and no more than 45. SCORING: Met the minimum/maximum art piece requirement (disqualification if invalid) Submitted a PDF with all the necessary materials (disqualification if invalid) Sound orchestration /15 Good art -> music relevance, according to the composer and judge, individually /15 Sound quality of recording /10 Score quality /10 Please let me know if you’d like to enter as a participant or judge in the comments. Good luck! For composers who want to compete but aren't totally sure about art, this is a good guide to start: http://www.visual-arts-cork.com Entrants: 1. Monarcheon 2. bkho (potential) 3. Gustav Johnson 4. punintentional 5. mikelee531 6. Austenite 7. Rowan Abrey (potential) 8. Ilyankor 9. Luis Hernández 10. tmarko 11. luderart Judges: 1. Maarten Bauer 2. Noah Brode
  17. Young Composer’s Spring 2017 Competition Spring is in the air! This competition is going to be a little different than most others, and will be a based on the following scenario: A regional chamber orchestra is commissioning composers to orchestrate three spring months, specifically March, April, and May, from Pytor Ilyich Tchaikovsky’s piano work, The Seasons Op. 37a. The orchestra has the following instrumentation available: 2 Flutes (both can double piccolo) 2 Oboes (2nd oboe can double English horn) 2 Clarinets (Bb, A, Eb, bass clarinet doublings allowed) 2 Bassoons (2nd Bassoon can double Contrabassoon) 3 French Horns 2 Trumpets 1 Trombone 3 Percussionists (including timpani) 1 Harpist 8 1st Violins 7 2nd Violins 5 Violas 4 Celli 2 Contrabass TOTAL of 44 players The orchestration of all the movements must feature at least 14 players from the orchestra. Entries that exceed the instrumentation listed above (44 players) will be disqualified. Please try to keep the instrumentation as consistent as possible for all three movements. To enter this competition you must meet the following requirements: Be a member of YC Signal your desire to enter by May 15th by commenting on this thread. At the time of submission, submit a score with proving that you meet the instrumentation requirements (NO EXCEPTIONS), and an audio mockup (MIDIs are acceptable). We also want members of this site to volunteer their time to judge. If you do volunteer, I ask that you have some working knowledge of orchestration. Entries will be scored on the following (these guidelines are somewhat general at the moment, but might be expanded upon later): Orchestration - How well does the entrant write for his chosen ensemble? Does the entrant exploit different colors through different instrumental combinations? Does he add any originality to the work? 35 PTS Instrumentation - How well does the entrant write for each specific instrument? 30 PTS Quality of Score 25 PTS Quality of Audio 10 PTS TOTAL 100 PTS Please observe the following deadlines: Signal to enter or volunteer to judge: May 15th, 2017 Entries must be submitted by June 4th, 11:59 PM EST I have attached a PDF of the three movements in question to this thread. Happy orchestrating, and good luck! DO NOT SUBMIT ENTRIES ON THIS THREAD Entrants: 1. Monarcheon Judges:
  18. Disclaimer by Monarcheon: Congratulations and thank you to all competitors who put so much time and effort into their works. While we do prescribe winners for our competitions, it is so important to recognize the communal event’s purpose of having everyone strive to be their very best. There was no work submitted without merit and it was a pleasure to honor all submissions with my humble opinion. Disclaimer by danishali903: Congrats to all who participated! It was very entertaining to read your stories and hear your music. Since I've been busy for the past few months, my reviews are a little less detailed than they usually are for competitions. If you have any questions regarding your scores, or need more clarification about anything, please don't hesitate to PM me. ADRIAN QUINCE: danishali903: 94 Monarcheon: 85 GRAND TOTAL: 179/230 SENI-G: danishali903: 85 Monarcheon: 75 GRAND TOTAL: 160/230 SEBASTIANVIOLA: danishali903: 79 Monarcheon: 71 GRAND TOTAL: 150/230 CONNOR_HELMS: danishali903: 72 Monarcheon: 75.5 GRAND TOTAL: 147.5/230 NOAH BRODE: danishali903: 73 Monarcheon: 70 GRAND TOTAL: 143/230 CONGRATULATIONS ADRIAN QUINCE!
  19. Please post LINKS to your submission for the Winter 2017 Story Competition here. Your deadline to post is March 18th. 1. Post your piece in the appropriate forum. 2. Place the link into this thread. Here are the guidelines, as a checklist for you. RULES AND SCORING: Submit a score that represents a story of your choosing. This can be about your own life, someone else's life, a well known story, or anything in between. It simply needs an arc, as does your music. This can be loosely interpreted; one can have many movements with a portion of the story in each, or one long movement or overture that tells the whole thing. You will be judged on orchestration (/25), the ability to tell the composer’s intent through clear programmatic writing (/30), and the clear development of thematic material (/25). Score quality is also taken into account (/15). Submit a written version of the story with words. This is not optional. This written piece should explain each portion of the music and what is intended on being told. This needn’t be so incredibly detailed, but should offer unique insight on the composer’s vision. Even well-known stories require explanation (/10). Submit an audio recording of your work for the judges to follow the score with. You’ll be graded on audio quality (/10).
  20. There is a cool Classical Guitar Competition going on on Youtube until April 30th 2017. It is free to enter. All you need to do is record at least one of the "3 Short Pieces" and upload it to your YouTube Channel. You can download the Scores (free!) and the rules (to see how to enter and how to earn points) here: Scores (free) and Rules If you enter, let us know. We would love to see your videos. Have fun! =)
  21. YC Competition: Winter 2017 “…tell me a story…” Hello all, and welcome to the next YC competition! What better way to start off the new year than with some healthy competition? I’m looking forward to great new works from all of you and hopefully, more of you, too! To celebrate the new year, I thought we should all write some stories! We’re going to be writing very programmatic music for this season and I can’t wait to be taken on so many journeys! I’ve kept the theme very general this time so we can see all sorts of takes on so many different life experiences, biographies, fables, adventures, and more! More than anything, this should be a pretty calm and fun competition amongst a community. Eligibility to compete will remain the same: ELIGIBILITY: *You must be a member of the Young Composers forum in order to enter. Sign ups will be in the comments below. *There will again be no limits to instrumentation. *The minimum length for this competition will be the same as last time: 6 minutes. The maximum will also stay the same at 20 minutes. *You must have some sort of audio rendition accompanying your work, otherwise your entry will be disqualified. *If you volunteer to be a judge, you may not enter as a contest participant. *Entrants should have an intermediate understanding of engraving and orchestration… this is another major focus of the competition. The rules, however, are not: RULES AND SCORING: Submit a score that represents a story of your choosing. This can be about your own life, someone else's life, a well known story, or anything in between. It simply needs an arc, as does your music. This can be loosely interpreted; one can have many movements with a portion of the story in each, or one long movement or overture that tells the whole thing. You will be judged on orchestration (/25), the ability to tell the composer’s intent through clear programmatic writing (/30), and the clear development of thematic material (/25). Score quality is also taken into account (/15). Submit a written version of the story with words. This is not optional. This written piece should explain each portion of the music and what is intended on being told. This needn’t be so incredibly detailed, but should offer unique insight on the composer’s vision. Even well-known stories require explanation (/10). Submit an audio recording of your work for the judges to follow the score with. You’ll be graded on audio quality (/10). TOTAL: /115 DATES: Entry Intent: March 10th Entry Deadline: March 19th Judge’s Scores: March 23nd Results: March 24rd Signal your intent to have an entry ready by leaving a comment to this thread. Good luck to all; I look forward to reading and hearing your stories! JUDGES: 1. danishali903 2. Monarcheon ENTRANTS: 1. Noah Brode 2. Austenite 3. Seni-G 4. Ken320 5. Jotaa45 6. RefinedRedneck 7. Connor_Helms 8. Adrian Quince 9. SebastianViola
  22. Here is my entry for the November, 2016 competition. Hopefully this uploads right....
  23. This is my modest entry for the 2016 Fall Competition. It's a set of variations for solo alto recorder, recorded in my not-even-close-to-a-studio bedroom. It's me playing it. More information can be read in the Notes pdf file. A link to an actual presentation of the original theme (an anonymous folk music) can be watched here (there's a short lively intro before the music starts): Variações sobre o Siriá.mp3
  24. Here is the official topic for entrants to the fall competition to post their submissions. Please post your submission by posting it FIRST to the appropriate regular forum saying something like "this is my entry to the Fall competition", then posting a LINK to that topic here. Judges are not allowed to comment on these submission links, but other entrants are encouraged to leave some feedback. Remember your deadline is the 25th of November. You all have quite some time left to polish up. Good luck to you all! I'll repost the scoring guides: SCORING: How clear was it that the entrant followed the basis of theme in each variation? /20 How unique was each variation in comparison to both the theme and the preceding variation? /20 danishali903 wanted there to be a larger emphasis on orchestration this season. How well did the entrant write for the instruments he/she/they chose? /20 How quality is the score? Are all the markings necessary for a successful performance there? Are all the variations and/or coda labeled?/20 Is the length practical (or does the piece start sounding monotonous?)? /15 How is the quality of the audio? /5
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