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So I am working on a scherzo and I got the first 3 phrases done but then I reached a composer's block. I am trying to get a more Haydnesque feel to this scherzo while still having some originality. Here are the ways that I have tried to get a Haydnesque feel across: Hemiola in the first phrase, so like instead of quarter note tied to eighth note which would get across 3 beats, I write it as 2 dotted quarters which gets across the feeling of 2 beats in 3/4. In my case, it almost sounds like there is a triplet rest between the dotted quarters, even though I didn't write any rests there. Accenting the subdominant note in the first 2 measures to make it sound like I am in Bb major for a little bit before you realize that it is in F major. The subdominant note in both the first and second measures is on beat 3, so it sounds like I have a 2 beat pickup measure, even though I don't have a pickup measure at all. Sudden dynamic shift corresponding with a shift from simple triads to big chords across both hands(I kind of borrowed this from Haydn's Surprise Symphony) Using an augmented 6th chord in place of a dominant 7th chord Delaying resolution I use a lot of staccato here but I withheld from using it until after the first phrase. Even though I have 19 measures here, it only lasts for 25 seconds because the tempo is at quarter note = 140. So what do you think of my scherzo so far and do you have any suggestions on going further with the scherzo? And do you think the sudden forte chords get across a more Beethovenian vibe? Because I have noticed some people say that the sudden forte chords get across a more Beethovenian vibe and makes the scherzo sound more like one that Beethoven would have written than one that Haydn would have written.

Here my first scherzo, eventhought it's finished "" I feel like i have to add some kind of personal "joke" (i.e: a 5 beat bar that outstands uniquely the piece) to make it more original and distintive. I tried to make it more classical possible, but my style doesn't just hangs over a kind of music, I don't mind using romanticism, impressionism, modernism or baroque too. I try to be wide. Form Its form in the most divisible way is AA',BB',CC',DD',A',B',CC' Progression First it starts in E major, using B major to end the weaker cadences, in the stronger cadences I use E major to end. In the Section D, the key becomes III (minor) E major relative, A-flat minor, and then at the end it goes throught other keys such E-flat minor. Audio and Score E.mp3 Scherzo_in_E_major_Diavolo_Giocoso_op.5.pdf

Just a short, fun piece I wrote. https://youtu.be/i_g_6Rla2kA

This is a brief, fast-paced piece for the cello and piano. I'm haven't written much in the way of chamber music, but let me know what you guys think!

A brief piece for cello and piano I quickly wrote. It is among the first of the pieces that I've written in such a style, so I'm always looking to improve. Let me know your thoughts, and thanks!