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Found 8 results

  1. Good evening everyone! I'm excited to present a new piece I have been working on for the last month or so: Scherzo for Orchestra. I deliberately wrote this fairly quickly, with the intent to write something fun, conventional, and maybe even a little whimsical. I'm interested in any and all constructive feedback. I had a few goals in mind as I composed this, feel free to critique my success or failure on these: Write something a little more informal and accessible, with catchy, memorable themes. Start with a very simple idea, and build the entire piece off of it. The four bar
  2. I hope you all are doing well this days! Here I share a little scherzo of a little symphony I'm writing to practice. The scherzo is based in some fragmented themes my little sister was tackling on the piano (that is why she is mentioned in the score!) I hpe you enjoy it and as always I'm open for feedback and things to improve. I know that the structure of the scherzo it is not completly correct as in the scherzo part I do not repeat the A section and then the B section. Aswell istead of a trio there is some sort of funeral music (to give some contrast).
  3. Hello everyone, I am back, this is my new piece, hope you like it and welcome your commentation.
  4. I have completed the Scherzo section of my Scherzo. Okay, let me explain. I am writing in Scherzo and Trio form. I have completed the Scherzo part of that form. At first, I didn't have a pickup measure, but I decided that it was needed for my Scherzo to feel right. The Scherzo section of it further divides into 2 parts In the first part of it, the overall harmonic motion is from D to G and back. The Scherzo section of the piece has a motive that very frequently shows up in the melody. I end the first part of the Scherzo section with a syncopated cadence(both in the sense that it is on a w
  5. So I am working on a scherzo and I got the first 3 phrases done but then I reached a composer's block. I am trying to get a more Haydnesque feel to this scherzo while still having some originality. Here are the ways that I have tried to get a Haydnesque feel across: Hemiola in the first phrase, so like instead of quarter note tied to eighth note which would get across 3 beats, I write it as 2 dotted quarters which gets across the feeling of 2 beats in 3/4. In my case, it almost sounds like there is a triplet rest between the dotted quarters, even though I didn't write any rests there.
  6. Just a short, fun piece I wrote. https://youtu.be/i_g_6Rla2kA
  7. This is a brief, fast-paced piece for the cello and piano. I'm haven't written much in the way of chamber music, but let me know what you guys think!
  8. A brief piece for cello and piano I quickly wrote. It is among the first of the pieces that I've written in such a style, so I'm always looking to improve. Let me know your thoughts, and thanks!
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