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  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

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    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

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    3. Composers' Headquarters

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    6. Advice and Techniques

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  4. Competitions and Collaboration

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    2. Monthly Competitions

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  5. Technological

    1. Music Jotter

      Young Composers has developed a new music software, with a focus on speed, playback and ease of use.  This forum will be used for support, sales questions and bug submissions.

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    2. Music Notation Software Help and Discussion

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    3. Sound Libraries

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  • Works With Few Reviews

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  • Topics

  • Posts

    • Fugax Contrapunctus
      Dodecaphonic Perpetual Canon for String Quartet.

      By Fugax Contrapunctus · Posted

      Much to my wholehearted agreement, you already pointed this out in your review of my other dodecaphonic canon: "Although I have read from Taruskin's Music History book that counterpoint without tonality would be not too meaningful without the rules for dissonances and its resolution, but it is clearly not correct here. Given your ultimate care for preventing clashing dissonances, I find this one actually quite melodious and even tonal, or at least pan-tonal." In any case I don't find Taruskin's assessment entirely correct, just as you pointed out, since care for the clashing and resolution of dissonances need not necessarily be strictly derived from the rules of tonality, but instead out of the composer's own stylistic preference. One of the greatest things I have thus far found true for the dodecaphonic tone row system is that it allows for an immense amount of diversity when it comes to compositional approaches, which is specially true for stylistic notions of what works and doesn't in any given work according to the composer's own intrinsic judgement. In many regards I believe my usage and deployment of contrapuntal techniques to be the polar opposite of Schönberg's in terms of the treatment of dissonance, as in coining the term "emancipation of dissonance" so as to refer to his own proclivity towards unprepared and unresolved dissonances he was so proudly fond of, I believe he essentially stopped hearing dissonances as "ill-sounding" or unpleasant to the ear. For better or worse, my own particular stylistic preferences remain fairly attached to the etymologically quintessential definition of dissonance I just provided, independent of a tonal context. As such, my reticence towards unsing certain intervals has little to do with the standards conventions of tonal preparations and resolutions thereof, but with my own tendency towards finding intervals like minor 2nds and major 7ths quite distasteful to hear in clashing (though slightly more toolerable in suspensions), and also difficult to handle contrapuntally with my current bare-bones approach towards the general treatment of tone rows in my latest canons.
    • Artdreamer77
      two soft pieces

      By Artdreamer77 · Posted

      This is good. Simple but refreshing. This is today's inspiration for me.
    • PeterthePapercomPoser
      .

      By PeterthePapercomPoser · Posted

      @Artdreamer77 The user edited out his content so the conversation has holes.  The user also changed the name of the topic to ".".  I am going to close this topic to further replies.
    • Artdreamer77
      .

      By Artdreamer77 · Posted

      Is my computer not displaying something, or is this post literally just "."? How is this allowed, and how is it offensive to call this spam? EDIT: No actually, is this sarcasm or do I not see something?
    • Alex Weidmann
      Aurora (Ancient Greece inspiration)

      By Alex Weidmann · Posted

      Hi Luis, I've become very interested in music from Antiquity, like the Seikilos Epitaph, and Hurrian Hymn to Nikkal.  I like the effort you've gone to here with retuning your scale. Octave species used in ancient music seems to be a very rich subject I've yet to fully understand! I sometimes wish film composers would employ the techniques you've used here, so they can create a more authentic musical language to reflect the ancient world. Seikilos epitaph Seikilos stele with poetry and musical notation Type Stele Material Marble Writing Koine Greek Created c. 1st or 2nd century AD, Tralles, Asia Minor Discovered 1883 Discovered by W. M. Ramsay Present location National Museum of Denmark  
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