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By pateceramics · Posted
How many takes do you need to get a recording of this length to your satisfaction? Bravo! I really enjoyed the transition at bar 63. (The "crazy" section). It works well as a bridge between the classical beginning and later jazz styles. I also particularly enjoyed the 130s (Allegro agitato) where you switched back in the other direction. And I heartily agree with Chopin's comment above about the value of structure and storytelling in music. To tackle such a lengthy project that becomes perhaps the most important concern. How can the same material be brought back and developed in a way that tells a story? You are further along on that journey than I am! Well done! -
By L.S Barros · Posted
Thanks! But it actually does not have a form, early baroque sonatas does not have a form at all, it was more based in sections, and it was one single movement, but in those different sections there could be different time signatures, rhythms, modes, tempi... So its a very free style. And also we don't work with phrases, more like motifs, and the imitation and developing of those. About the reverse chord idea its already very much common in all the early baroque repertoire and also renaissance, the only thing about picardy thirds is that they are basically optional now days, but back in the renaissance and baroque it was basically obligatory, because the most common temperament in that time were Meantone temperaments, which favor pure major thirds and sixths. Because of that most of the cadences are indeed using it, but its not really obligatory, you can have an entire piece without any picardy third, and to standarts of that time period it would be completely fine. The reason i use them is because they were obviously more common than the normal minor chords and because they sound nicer to the ears, since the melodic line of the voice which creates the major third in the end is almost like sweetened, and its much easier to sing than the otherwise natural interval. -
By Alex Weidmann · Posted
Sorry, I meant to write Audacity; not Audials! (That's a completely different piece of software!) -
By Henry Ng Tsz Kiu · Posted
yeah it's really difficult and does take me a lot of time to practice. But it definitely worths it even though I still make some mistakes on the recording! Thx! I actually like the sudden attack idea of the 1st subject so I don't arrange a longer transition after the 2nd Subject! Haha yeah I feel like the 2nd mov is out of place in a good way, since it is there I try to find peace between two bombardous movements! And I do like its reappearence at the end here. Thx very much for listening and commenting! Henry -
By develop331 · Posted
Thank you, I'll take a look at this to see what I can do. 😃
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