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  1. Here they go. Take One Partitura completa (1).pdf Take Two Partitura completa (1).pdf
  2. Hey everyone! I've been recently posting some of my piano pieces from my new album and this is yet another one of them. It's actually a very old musical idea of mine, I think it was one of my first piano pieces, but it seemed unfinished so I made some changes and additions to the original and the result is here. Feel free to let me know how you like it! If anyone's interested, you can listen/buy the full album here 💿https://oliverbohovic.bandcamp.com/album/ballerina💿 Or here 📀http://store.cdbaby.com/cd/olivernosaczynskibohovic📀
  3. Hi everyone! This is yet another piece from my debut piano album "Ballerina", the piece is called "With You" and I wrote it back in 2014. This piece differs from other pieces on the album by it's structure. It's heavily based on chordal harmonies accompanied by slight melody, it's more of a moody piece I'd say while most of the other pieces are more melodic. Please take a listen and let me know! If anyone would be interested here you can listen/buy my album 💿https://oliverbohovic.bandcamp.com/album/ballerina💿
  4. Hi everyone! I just released my debut piano album on 25th of October, so it´s still very fresh. It contains 10 of my original compositions and 1 re-make of an 80´s pop song which I´ve made on a request of the artist himself. Please take a listen to the full album here and let me know how you like it! If anyone would be interested, you can buy the album here: https://oliverbohovic.bandcamp.com/album/ballerina
  5. Hey everyone! This is a piece I wrote back in 2013 and I now recorded the piece for my debut album "Ballerina" which you can listen to or buy here https://oliverbohovic.bandcamp.com/album/ballerina I hope you guys like it!
  6. Hey everyone! This piece is something unusual to me, as I was always writing my original music, but this time I made a re-make of a 80's pop song which was a major hit in Slovak radios back then. I have been asked by the artist himself-Peter Nagy, to do a different version, something in the romantic/movie piano style of my other compositions from the album that I gifted to him, and so I gladly agreed and here's the result. You can also listen to the original 80's version by Peter Nagy here. On the top there's the original version and down below there's my version. I hope you'll lik
  7. I'd love to get your feedback. This is like a sweet lullaby, but with contemporary sounds and melody.
  8. Here's a piece I was exploring the accordion.. While I wouldn't normally associate an accordion with snowflakes, it does make me feel like I'm in a log cabin somewhere.. Also exploring looser formats, chordal progression wise.. It gives it a more wandering, less structural feel.
  9. This was just an idea, and built on superimposed and overlapped small parts.
  10. This piece "came through me" all at once on a sunny afternoon.
  11. I think this is a sort of incidental music... The structure is simple: Part A Part B (everything reversed) It's a big atonal double canon.
  12. Hi everyone! This is a kind of a minimalist piano piece of mine. It§ s called "Rain" because of the free form and due to the fact that except for the recurring theme, it is heavily improvised and it is supposed to remind of raindrops. I hope you will like it!
  13. I'd been thinking about doing a reduced version of a very old piece of mine, "The Oort Cloud," for a long time. I believe it was the first piece I posted here three/four years ago (which I've since deleted). It was interesting to go back through the "orchestral score" and see how much I've learned since then, and it was a challenge to keep it interesting with the limited instrumentation (not to mention the total absence of a second theme). I tried my best to use some minimalist techniques [subtle changing of rhythms and intense repetition, which is pretty much my entire knowledge of the g
  14. Two Bb clarinets and one Bb bass clarinet, all transposed. In some spots I could have used bass clef, but players didn't like it. Using several materials: Messiaen's modes combined, add rhythms, atonal series, interval sets, secondal, quartal, quintal harmonies, canon, etc... Meter is odd, but I think necessary here, otherwise the three clarinets wouldn't be coordinated. That's what Messiaen says: when there are more than one player, use meter... MOVING - SCORE.pdf
  15. Hi... Since I learnt of the Mosaic Form from Stravinsky (Symphony of Wind Instruments), among others, I fell in love with it. In it, there are a number of short parts that the composer put together in different manners. So, the concept of classical forms, and the concept of repetition is simply another one. This piece takes the idea of the labyrinth from the other side (compared to the one in the prepared piano piece). This one looks inwards and I wanted to write something "intimate". So, this work is written for another kind of prepared piano: it should be played wit
  16. I don't remember a piece for prepared piano in the forum... Perhaps there is. I've been studying and experimenting... I know this is not a "standard" to listen to. In fact, I think prepared piano deals with rhythm and colors. But I like it. This is not my piano, impossible in an upright. I tried to put some objects but it's quite hard and they fall down. So it's a virtual piano. LABYRINTH.pdf
  17. Piece: http://picosong.com/pYjG/ Sheet music thus far: https://drive.google.com/open?id=0B-WkFk0zutrdZVVtM19CaVExcmM This is a composition I am working for school and the piece is inspired by japanese, jazz and other modern piano solo music. I am in the process of writing it and would love an opinion and perhaps a few tips or pointers as to how it is going so far and potential developments later on. I am able to play it on the piano but it will require practice of sorts XD Hope you enjoy!
  18. Someone would kill me for this... I thinks it's playable, I've taken care about each string and intervals.
  19. Simple piece with piano + flute part playing 7 against 8, and a middle solo flute section using additive and changing rhythms and Messiaen's mode 5 in several transpositions. https://soundcloud.com/user-417172164/indigo-night
  20. This is what I see now from my window right now (well, I live in the mountains). And this is how I "feel" it with music. Yes, there are some measures (74-75...) where the flute is quite dissonant. It's not a mistake, I wanted it. For me it's beautiful (it means something, to me). link to soundcloud (mp3 player doesn't work, I'm afraid): BLOSSOM
  21. This piece was originally written on my 6 string guitar in C#. I managed to get a nice sound out of the grand piano in Reason. I am still working on fixing the velocity to give the piano a more realistic and human feel. I love this though, it's fast, energetic, innovative and really a breath of fresh air to write.
  22. This is a piece I would really like to transpose with more strings and entire orchestra..but for now it remains written for 7 string guitars in B flat. Sheet music for each individual instrument is unfortunately in each single pdf. Sorry. Also, please forgive the midi sound haha. Feedback is much appreciated!Mark My Face.mp3
  23. This little piece uses different contemporary techniques such us random dynamics, interval set, dodecaphonic scales, etc..., in a counterpoint background including canon (octava, motu contrario, prolation).
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