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  • Works With Few Reviews

  • Posts

    • I really like this piece!  I wonder if you would consider using multiple instruments for this piece since it does have a fairly wide tonal range? Perhaps then you could still incorporate the midi patches you originally wanted to use, with the addition of another instrument? Just a thought, I don't know how it would work. Another thing about this (which I know can be difficult to approach when writing with midi instruments) is that I think it could benefit from more dynamics. It seems to have a pretty decent range of intensity of individual notes - which may come from different samples that the harp patch uses for notes of different frequencies - but it seems that this has the potential to really breathe more overall with very gentle parts leading into soaring sounding sections with more intense velocity. I think that would lend itself nicely to the sort of traditional Chinese music that you were inspired by (based on what I have heard of that style of music) and give the piece a lot more life. But really this sounds great to me already.  Is there a certain kind of environment or context that you envision this piece accompanying, rather than a stage?
    • Greetings all, been a long time since I've come to this site. I thought I would share some music that I've been working on for my game called Tellurica (looking for another c# programmer with Unity experience and possibly a texture artist, if anyone is interested in working on it with me).
      To provide some context, the game is a fantasy/scifi game that takes place on an alien planet. It is a combatless survival RPG based around horticulture, exploration, and narrative. I'm particularly interested in what people think could be added or done to the piece called Misting, but really just any and/or all of them. The soundtrack can be found here Good fortune in your endeavors, Alex  
    • Ahhh ok. You know I just went back to the mp3 I sent Hans and changed that note to a A flat and it sounded much better. See Hans I was off. <_<...
    • Hi all! I have finished the Mass that I started composing in June (I had a rather hectic summer, so not much time to write).  The first two movements (Kyrie and Gloria) are reposted with some minor modifications from them, but I wanted to put them here so that everything's in one place.  Please let me know what you think!  Thanks! Mass_in_D - Kyrie.pdf Mass_in_D - Gloria.pdf Mass_in_D Sanctus.pdf Mass_in_D Agnus Dei.pdf 01 Kyrie.mp3 02 Gloria.mp3 03 Sanctus.mp3 04 Agnus Dei.mp3        
    • Careful. That's a B HALF-diminished chord, because the triad (the B, D, and F) is diminished, but the A is simply a minor 7th, instead of a diminished 7th (A-flat). A truly "fully diminished" 7th chord on B would be "B D F Ab". 
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