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    1. Announcements and Technical Problems

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  2. Upload Your Compositions for Analysis or Feedback

    1. Works with Few Reviews   (3,203 visits to this link)

      Works with 5 or fewer reviews, within the latest 3 months.

    2. Opt-In Works for Youtube   (1,573 visits to this link)

      Do you want to opt your music in for a chance to be used in a Youtube video or short? You can now opt in when uploading your music for review. You can "opt in / out" at any time, and remember, you always own the copyright to your work.

      Please make sure your recording is of somewhat decent quality to be considered.

    3. Orchestral and Large Ensemble

      Upload compositions which use an orchestra or a large ensemble (defined as one requiring a conductor)

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    4. Chamber Music

      Upload compositions written for a small group of instruments (including works with piano), or for solo instruments (other than works for solo keyboard)

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    5. Choral, Vocal

      Upload compositions that extensively make use of one or more singers, whether in the form of a soloist or a chorus

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    6. Piano Music, Solo Keyboard

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    7. Incidental Music and Soundtracks

      Upload video game music, film music and other forms not primarily intended for the concert stage

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    8. Jazz, Band, Pop, Rock

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    9. Electronic

      Upload music which makes use of electronic resources

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    10. Incomplete Works; Writer's Block and Suggestions

      Works here must be attached using the forum's attachment method. Incomplete works will not be categorized in the network.

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  3. Community

    1. Masterclasses

      Contains a selection of Masterclasses.

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    2. Music Appreciation: Suggest Works or Articles

      Suggest works and discuss past and/or present events, for the sake of Music Appreciation.  Link to YouTube videos, iTunes links, online articles and composers websites.

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    3. Composers' Headquarters

      General discussion on composer-related issues and music composition.

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    4. Repertoire

      Talk about musical repertoire, from full-blown orchestral works to solo piano pieces

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    5. Performance

      Discuss the performance of music here, such as the characteristics and limitations of different instruments

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    6. Advice and Techniques

      Offer informal advice on methods of composition, compositional technique (e.g., fugue writing, chorale-style harmonization), etc., that you feel may be of benefit and interest to our members.

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  4. Competitions and Collaboration

    1. Competition Hall of Fame

      A list of winning works of all of our competitions

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    2. Monthly Competitions

      NEW Smaller-scale competitions held on a monthly basis

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    3. Collaborative Works

      Work on a piece with other composers

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    4. Challenges

      "Little creative exercises for composers to think outside of the box."

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    5. External Competitions

      External competitions that are not hosted by Young Composers.

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  5. Technological

    1. Music Jotter

      Young Composers has developed a new music software, with a focus on speed, playback and ease of use.  This forum will be used for support, sales questions and bug submissions.

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    2. Music Notation Software Help and Discussion

      Post questions about your music notation software of choice.  Whether it be Finale, Sibelius, MuseScore, Dorico or anything else you may be using.

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    3. Sound Libraries

      Discuss different sound libraries. This is also the place to talk about software samplers, such as EWQL, VSL, GPO, Kontakt and Gigastudio

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  • Works With Few Reviews

  • Topics

  • Posts

    • tchaikovsky 3rd piano concerto is imo his best.  when i heard it i was baffled by who it could be because it sounded too complex in certain respects to be a melodic composer like tchaikovsky. 
    • I notoriously prefer outer movements…..but i think my favorite scherzos is probably bruckner 7.  Interesting because Bruckner is otherwise often times a very ponderous, plodding composer.  but i remember the first time i heard it, the big augmented chord really hit.  it manages to have energy and pace but be sort of noble simultaneously.   I also think Bruckner 4 is a great scherzo, the quartal moments with the horns really adds to the vibe.
    • beethovens 9th, bach st. matthew passion, and many, many others, but most of all…..   Let it Go from frozen.  I never really hear lyrics so i’ll just leave that part alone even though personally i find “letting go“ to be an overrated concept……but the music itself is terrifyingly bland music theater…..not even much if any orchestration at all, just piano.  
    • Yes!  Such a good point!  It's really easy to get bogged down trying to write something great, and you aren't going to.  You don't know enough yet.  And the only way to learn what you need to know is to write.  So let go of all your expectations and just play.   Do try to polish things a bit as you go, incorporating things you are learning in class, but don't get so twisted up about it that you can't put a thought down on paper.  The more you write the better you will get.   What we think are the major composers' first works almost certainly weren't.  Those are the first ones that were good enough to be shared with anyone other than immediate friends and family, and the ones that were good enough that people held on to copies.  I can guarantee, they all wrote lots of bad stuff before they started writing good stuff.  So go ahead and get your bad writing out of the way as soon as possible so you can learn from it and start getting better.  You don't have a finite set of ideas in you, I promise!   There is an expression in the game of Go (it's a bit like chess), "lose your first 100 games quickly."  You are going to lose.  You don't know enough to win.  So don't overthink each move, just play a lot, and you'll start getting better.  
    • Hi Eva,  Some things that I find helpful...   Get your phone out and use it to make an audio recording so you don't have to write down what you come up with at the same time that you are generating musical ideas.  Get some ideas to play with first, and then if you can't remember that good harmonic idea you had, you can listen back to your recording.   Find a classical piece you have never listened to before, or at least don't know very well.  Listen to just the first few bars, while humming along, then turn off the music, but continue humming.  You'll have a feeling for how you want it to go next, and then next after that...  Inevitably this won't be the same way the original composer developed things.  Use that as starting material for one instrument of your quartet, then go back and start expanding the line, adding harmonies for the other instruments, and when you are far enough away mentally from the original piece you listened to that you are sure you aren't accidentally going to copy the composer's ideas note for note, write a fresh beginning.   Find a piece of classical music you don't know well and listen while humming with the volume turned WAY down so you can't quite hear what is going on.  Even turned down to the point that it becomes almost white noise, you'll still feel a sense of structure coming through your headphones, and your brain will try to fill in all the gaps of what it can't hear.  Hum away for a minute or so, then go back and listen to what you hum-recorded and use that as your starting material, expanding on that line and harmonizing it.   Go for a walk somewhere with few people and hum or whistle to yourself.  There is something about being in motion and the rhythm of footfalls that can just wring music out of you.   If you think well at the piano, you can always noodle at the piano, but it sounds like you already do that and are getting stuck, so maybe try getting away from the keyboard? Good luck!  
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