Pietro17

Masterful counterpoint The beginning feels a little like Bach's allabreve in D The mp3 you provided doesn't sound like a real organo pleno and I think it's better that way. Whole piece, which is quite long, played with loud pleno registration can be a little tiring, it's very difficult to play so much of thick texture without it feeling weary for the listener - think of Bach's Fantasia in G major (piece d'orgue), it's not impossible, but difficult. Maybe think about some changes of registrations (like in the middle) to give the listeners moments of less intensity I really admire your counterpoint skills, keep up your great work and please don't stop composing

This piece was written for me (viola) and my friends (who play violins, double bass and organ) to perform during a christmas concert, that's why the instrumentation is a little strange. Also this was intended as a middle movement of a bigger work - but when the concert was cancelled I gave up writing the other movements Thank you all for your support!

Christmas adagio movement for string quartet and organ ad libitum. It was originally meant as a middle movement of a Christmas fantasia, but I never wrote the other movements and I don't think I'll ever do it, so now I post this piece as a stand-alone piece. In this work I employed melodies and motifs from two polish christmas carols - Jezus malusieńki (violin 1 & 2) and Mizerna cicha (viola). Hopefully the piece will be performed this Christmas

https://youtu.be/XbNfbUn9YPY

My first song, written to a poem by Leopold Staff (a polish poet). I didn't use the whole poem because it's too long.

Two-part invention. My first "serious" invention written after analysis of Bach's two-part inventions.

My first attempt to write a romantic piece. I hope it doesn't sound too much like Nocturne in f minor by Chopin

This is my first piece in classical style. Do you think it sounds convincing?

In measure 2, tenor (qui - Db) and bass (eis - Ab) - fourth is forbidden in two-part counterpoint, unless it's a suspension - you can change Db to D natural. Measure 4 is harmonically quite unclear for me - in general there is many situations where one voice has for example b natural and the other has b flat at the same time - the green countersubject combined with red subject are responsible for that (also green and purple). Parallel sevenths/seconds aren't always bad - it depends on the context. I think you should fix those errors and errors mentioned by others before you go further. Good luck!

Sounds very nice to me, despite many counterpoint errors. I suggest you a key signature of 2 sharps - and it would be nice if the score was neater. Do you have any instruments in mind? I think you can develop this piece.

In my opinion Allegro bars 8-10 are fine. The one think that bothers me is actually bar 3, the D in Violin 2 doesn't belong to the harmony

I'm still not satisfied with my counterpoint, so I wrote these two little practice pieces. They're not mentioned for any instruments, but I had to choose something when making an mp3. Also, this is my first finished canon, that is I've written many canonical passages but this is my first standalone finished canon :D What do you think of these?

Great classical duet! I liked the motivic imitation in allegro. I think the shape of the andante is really good, and to be honest I liked it more than the allegro. Also posting a score is a good idea, because it makes reviewing much easier

Great! Beethoven is present here

This is a piano concerto I am composing now. I will succesively post remaining movements. The second movement is a slow siciliano, in my feeling it's a bit too short but when I think what I could add, I don't have any ideas :/ what do you think?