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Found 3 results

  1. Hi all, Been working on this for a while as an exercise in sonata form and, specifically, development. Since it was an exercise, I kept the language very tonal so I didn't have to worry about dealing with more contemporary techniques. Would love to know what you think. Thanks!
  2. What specifically do you do to plan out a development section in sonata form? Should the modulations and the order of the themes/fragments follow any sort of predesigned logic (other than 'mix them up')? The keys that should be used are mainly what's bothering me, mostly because my modulations tend to sound forced to me, especially in the development section.
  3. Hi, I'm new here, so forgive me if I'm doing something wrong. I'm writing a sonata-form movement in Romantic style (Schubert, Brahms...). I've written: 1st theme (8+8 bars), ending on i (G min) transition (G min >> Eb) 8 bars of the 2nd theme (starts at bar 57), ending on V (Bb major chord) However, I'm stuck here. :dunno: I've just moved from a classical to a romantic style, and the proportions are bigger. I know I should write something looser and more lyrical here, and it should be roughly 50-60 bars long for balance. I could use more than 1 theme (?), and perfect cadences should be used sparsely. I tend to write very "marked" self-contained themes, like the 1st one, so my initial idea was to write another 8+8 antecedent/consequent. But I can't do this, I must include more material before the V-I and the codetta. Thus, I've written some "continuations" after the 1st 8 bars ending on V, as well as a climax based on that tune, and a little codetta... I don't know how to assemble all that stuff. I've checked out tons examples, but I'm kinda blocked. Any tips? What is your experience? Thanks!! :D
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