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Showing results for tags 'quartet'.
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So here is a piece for trombone quartet that i just finished writing. It is a compilation of some moments in the epic poem The Epic of Gilgamesh and it is my submission for a competition. I would like some opinion and, if there is some error, either in notation or in other aspect, i would appreciate the notice very much. Hope you like the piece.
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Hi everyone, I would like to share with you my first major composition: a string quartet. My compositional style is evident in it, which is quite unusual, but at the same time I think it is accessible to a wider audience. I'd appreciate it if you gave it a listen! Thank you! https://youtu.be/WPfU9OKB8Aw?si=EFZEiZDdlTbWXOnu
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Christmas adagio movement for string quartet and organ ad libitum. It was originally meant as a middle movement of a Christmas fantasia, but I never wrote the other movements and I don't think I'll ever do it, so now I post this piece as a stand-alone piece. In this work I employed melodies and motifs from two polish christmas carols - Jezus malusieńki (violin 1 & 2) and Mizerna cicha (viola). Hopefully the piece will be performed this Christmas
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Hello. I know this has been awhile since posted. Writing has been rather slow. Alas, I present a new piece: a waltz for strings and harp. It is 95% done. Here's what I need you guys check: 1: Harmony-Please make sure there is no counter point errors and such 2. Form: Go through this with mircosponic. i can take it 3. String writing: Check balance and such. Your feedback will be greatly appreciate
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As the title implies, this is my first composition for strings. Coincidentally it's also my first thing in a sonata like form. Tell me what you think! I don't shy away from constructive criticism. As a note: I do enjoy dissonance, both as a composer and a performer, but I know that some people do not enjoy that in the same way.
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2Violins.mp3
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I have written a quartet for strings on which I would like the honour of some of your criticisms. This work has sprouted from almost a year and a half of counterpoint study. It is similar to a fugue; that is, it does tend to have fugal aspects; however on the whole, this is mostly a work of counterpoint with many interesting hidden ideas embedded within it. I can understand if you are unable to listen to the entire work, as it is almost 16 minutes long; however, if you give me some feedback on even a single contrapuntal passage, I would be greatly indebted to you. Thank you for your time and I dearly hope you enjoy this work. On a side note, this recording that I have here does not take into consideration single note dynamics which is indeed frustrating; however, it is the only soundfont I could find that effectively does some of the counterpoint justice (that is, so it is not too muddy sounding).
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It may be November, but church musicians have been thinking about Christmas music for months! Ho-ho-ho!
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- arrangement
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Hey gang, I posted this piece earlier when I was in the middle of writing it. Here is the finished product. This is the piece I composed over the spring semester during my first semester of composition lessons at the university I am attending. Please enjoy and let me know what you think! (P.S. Evidently when you use Petrucci font in Finale, the tremolo stops working, so that's why it appears in the score, but is not in the MP3 [do the midi problems ever end...?])
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Hi all 🙂 I'm glad to present you my new étude for string quartet. Hope you'll like it 🙂
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Hi all 🙂 Here's my last work : Hope some of you will like it 🙂 Have a nice day
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Hi all 🙂 Here's a short (2'30) attempt at a string quartet. Any feedback appreciated 😉
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Unfortunately, the first movement is unfinished 😉 1 Adagio- Allegro comodo (unfinished).mid 2 Andante calmo.mid 3 Menuetto.mid 4 Andantino (Double Variations).mid
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Hello everybody! I am very busy with my final exams and auditions, so that is the reason why I have not been online for a while. Anyway, I composed a new 'neoclassical' composition for string quartet. Each movement is based on the letters of one of my friends' name. I used the letters A, B, C, D, E, F, G and Ut, Do, Re, Mi, Fa, So, La, Ti. The duration of each movement is pretty short, because I wanted to have the movements in balance. Some themes are namely pretty hard for me to compose more than two minutes. Enjoy and please comment! Sharing your opinion means a lot too! Maarten
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Inspired by the second movement of. Messiaen's Quatuor pour la fin du temps, as well as my first time writing anything remotely in a modern style. Ternary form with a break in the B section returning to temporary traditional harmonies. An experiment in dissonance, bitonality, chromaticism, and quintal harmonies. And yes the English is bad for a reason. Comments and critique welcome!
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A short Horn Quartet inspired by hunting music with a mixture of Waltz light music. Any criticism and opinions are welcomed
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hello everyone, this is my new piece of music, a traditional Chinese folk one, hope you like it, and welcome everyone's commentation.
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Hello! Sometimes I just need to write and write and write... without thinking about whether people will like it or not. I decided to compose a piece based on motifs. This time, I decided to compose another neoclassical composition: String Quartet No.2 ''Cuckoo'' in G, Op. 65. The music is meant as a sort of scherzo. The main motif is the sound of a cuckoo. This string quartet consists of only one movement, which is in sonata form. Feel free to comment! Maarten
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A short piece for String Quartet, please somebody who plays string instruments tell me if this is playable and where I can improve as its fairly repetitive and I feel like it's not going anywhere.
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Here's my first serious string quartet, recorded with electronic instruments so the dynamics are displayed very poorly. Separated in 5 small movements, with a backstory in the video description for whoever is interested.
