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Showing results for tags 'piano'.
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Composition completed on 06/04/2016 You also can watch this piece here -
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Well, this is a rondo that I composed some time ago. I know the last measures are almost impossible to play, i will nerf them later. Any comment is apreciated :3..
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Hello Guys ! First of all, HAPPY NEW YEAR !!! I'd like to share with you another of my composition which is " In Limbo " Hope you enjoy it 🙂 Julien Kaw limbes.mp3
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In this piece, I've taken the ideas I had behind the formal structure of my earlier upload, Episode #1, and I've changed it up a bit (largely listening to the critiques that work garnered). I've never been good describing my ideas in detail -long standing trait. Much like Episode #1, this work takes the basic Rondo structure and expands upon it. When I originally thought of the idea for an episodic (rondo-like) formal structure, my original goal was to intersperse the A sections with heavily contrapuntal material (B, C, and D sections all being fugal in nature). While I still may do a work like this in the future, I think that -for now- I'm trying to find a way to make this type of structure work for the language that I use in my works. The score is a lot nicer (thank you MUSESCORE!)
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Hi :3, I´m new to this forum. I'm a begginer composer I would like to have some feedback on my first piano sonata. Thanks in advance for the comments. I added an mp3 an here is a link to a youtube video with the sheet music. https://www.youtube.com/watch?v=ODoW8caLo0k Here is an analysis of the structure. 0:00 exposition 0:00 Introduction 0:26 first theme C minor 0:45 bridge 0:51 transition theme Eb minor 1:03 bridge 1:14 Second theme Eb major 1:29 Transition 1:37 retransition progression by circle of 5th 1:44 second theme Eb major 1:52 retransition to the first theme 1:59 repetition of the exposition 3:25 Development 4:13 dominant preparation 4:42 recapitulation 4:42 first theme C minor 5:02 bridge 5:09 transition theme C minor 5:32 second theme C minor 5:47 bridge F minor 6.02 second theme C minor 6:10 Coda C----------> Eb major-----> C minor
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Prelude III: This prelude is more of a meditation, similar to prelude 1 -however, this is non-serial. The basis is the left hand arpeggiation pattern. Hope you enjoy! Prelude IV: This prelude, comprised of only 4 notes, is a theme and set of variations on the opening 2 bars. I tried to keep interest. Still tinkering with musescore -so some of the articulation marks at the ending are incomplete. I'll add those later. Hope you enjoy!
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The beauty of music is that it brings people together. From all over the world! It’s an universal language to which we all can connect. A couple of months ago I met macky@piano♪♪（まっきぃ） She is a wonderful pianist from Japan playing outstanding improvisations. Music that speaks to the heart and mind. I'm a big fan of her and it is a great honour to do this collaboration with her. A sweet, romantic music track within the atmosphere of Christmas. On the piano: macky@piano♪♪（まっきぃ） Arrangement, mixing and mastering: David Jansen [a.k.a. Gh0stwrit3r] I hope you enjoy it! -
Hey everyone ! I'd like to share with you my first composition which is " L'étoile " ( the star in french) I hope you enjoy it 🙂 See ya J.Kaw © Julien_Kaw version_finale_etoile.mp3
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While working on this piano concerto, I have a lot of material that I'm leaving out -and have decided to use in smaller works (particularly for the purpose of keeping clarity in my material for the concerto). This work uses a tone row built upon intervals of the 4th. The opening bar, which creates a ritornello throughout the work, is the full row. Some notes about the compositional processes I used in this piece: 1. The form could be considered a rondo of sorts. The ritornello passage is labeled E. This returns after each 'episode' labelled C. I chose to keep this material identical. I may at a later date change the last entrance of the ritornello (mirroring it into the retrograde so that it ends on the note the piece begins). 2. The various episodes tinker with aspects of counterpoint (stretto, imitation, invertible counterpoint). The first episode superimposes rhythmic variants of the thematic material creating a rich texture. The second episode takes this type of superimposition and thins it out a little bit (leaving the superimposition to only two voices, while the remainder of the material is condensed into the chords seen in the left hand). NOTE: The second episode does NOT use the full tone row at all -at least not in order. The third episode plays around with invertible counterpoint and imitation, with a twist. The final episode -nearly devoid of counterpoint- is more intended on providing material to close out the piece. Hope you enjoy. I'll be cleaning up the score here in a few weeks once I get my new laptop set up!
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Here is my contribution for the Christmas Event. Carol of the Bells is, by far, one of my favorite works. I just hope this fugue gives it justice.
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I wanted to share this little piece composed by a friend of mine and me, two years ago, for Christmas. It was inspired by the facts taking place in World War I, when there was a spontaneous truce in Belgium. Each band (English and German) started to sing Silent Night in their own languages, the fighting was stopped, and they even shared gifts and hugs. The next day they buried the fallen soldiers... (Sorry, in the score it is explained in Spanish). -
Hey all, I am working on a collection of small pieces, preferably 5, based on short stories (hence the name). I made a rough draft of the first one and was wondering if it was an idea worth continuing. Any comments would be helpful! (Just added multiphonics to the trumpet part, anyone know if the part is playable/ how it would sound in real life?) https://musescore.com/user/20408661/scores/5815887 Thank you!
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Composition completed on: Etude-Tableau №8 in F sharp minor ICO №94 - 09/09/2016 Etude-Tableau №9 in F major ICO №95 - 09/11/2016 You also can watch this piece here -
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Composition completed on 07/30/2016 You also can watch this piece here -
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Composition completed on 05/10/2016 You also can watch this piece here -
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Tried to improve on the old nocturne in Eb major. It was a real pain this one. Please let me know what you think and any feedback is good.
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Hey Im writig a piano Concerto and have hit writers (Composers) block. i'm not convinced with the section at the end which would be the transition to my second subject. any advice welcome. ( i Know i haven't actually put the piano in the score.) -
the expositions of my piano concerto in G minor as well as the beginning of the development. any feedback welcome.
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"Christmas time's a-comin'"... Around this time of the year I use to make something with popular carols (reharmonization, fugues,.... just for fun). However, I'd like to write my own two or three "carols = villancicos", differences aside, .... because this is not for singing. It's just how I think about and feel this time. So, I let my "harmonic imagination" fly and this is it.
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Composed some years ago, written in both contemporary and jazz styles. Hope you enjoy. https://www.youtube.com/watch?v=QV76RLRVce4
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I've noticed there aren't many pieces representing more modern musical styles -so I'll add one of my newer works. This is part of a larger series of smaller piano works (Images). I apologize about the score, I used 'Flat' to input it from my manuscript and still am not used to it. Hope you enjoy!
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Hi all! This here is my first attempt to write a waltz for piano and my first attempt to transcribe it into sheet music. This piece was composed in the piano roll of a DAW. Please excuse any mistakes or unprofessional parts in the score, since I am neither a piano player nor am trained in music Theory. It is my first waltz, so I tried to keep this piece simple and understandable. The structure of the piece is as follows: Short Intro - A - B - C - A' - D - B' - C - A'' A: A rather quiet presentation of the main theme B: A lively intermediate theme 😄 A dramatic theme in a minor (?) that develops into A' A': A louder, festive presentation of the main theme 😧 A development into B' B': A simple variation of B with a few more trills A'': The first 2/3 are from A', the last 1/3 is from A. Thank you for listening & I hope you enjoy! K.R. Alex 🙂 -
I composed a new music track. This time with solo strings, solo woodwinds, small percussion, harp, piano and supporting chamber strings. I've tried to accomplish a positive happy energy. I would really love to get some feedback on this one.
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Let me know what you think!
