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Composition completed on: Etude-Tableau №8 in F sharp minor ICO №94 - 09/09/2016 Etude-Tableau №9 in F major ICO №95 - 09/11/2016 You also can watch this piece here -
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Hi all! That's my new piano composition called "The Lighthouse". It is slightly inspired by the music of Russian composers, such as Glinka. It follows a rather simple A-B-A pattern. A consists of the main introduction theme, a development and a powerful final theme. B consists of a quiet theme in the Major key and a fast, dramatic theme in the minor key. Thank you for listening! Some Feedback would be nice 🙂 Piece No.4 Op.3 - The Lighthouse (online-audio-converter.com).mp3
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I know I'm pushing it a bit calling this a nocturne. First time I have tried to compose this sort of piece. Please do let me know where to improve. Thanks.
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Hello, this is my very first composition. I named it 'Relique', planning to release more in the following weeks.... I love composing melancholic piano songs and am starting in Photography. So I tried to combine both together... Any inputs welcome... 😉 Watch it here : Milky Way & Emotional Piano
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https://soundcloud.com/user-777001654/work-in-progress I'm new to composing. Please criticize this short piano piece.
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https://youtu.be/MS4MDqMA1i4 ^music with score appreciate criticism
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Composition completed on 07/30/2016 You also can watch this piece here -
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An original piece by the young composer / arranger Drake King.
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This is my "Three Sententiae for Two Pianos, Op. 323". It is my first work for the combination of two pianos. I never would have imagined I would compose for that particular combination. However, the idea to compose a set of sententiae came to me almost six months ago, on the day I attended the concert of a piano duet. And so I have realized it now, six months later.
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Hello composers all around the world. Here is my new piano piece. Would like to know what you think about it. Cheers!!
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Hello everyone I would like to share this melody. Please give me your opinion : Thank you, G.
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Composition completed on 06/04/2016 You also can watch this piece here -
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https://drive.google.com/file/d/1-Xs1G5fupIjZPYNOiLDBoq7EijalRdUI/view?usp=sharing Recording on the way hopefully.
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Hi guys, I am posting one of the pieces for solo piano, which I wrote for the movie. Feedbacks are very appreciated!
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Here is another short piece that I wrote over the summer. It's a humoresque in ternary form. I hope you guys like it. Note: I think the audio file is missing a repeat on the da capo.
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Well, folks, I'm very pleased to offer you the final installment of Íslensk svíta! This one is called "Lofsálmur," which means "hymn." It's a kind of song without words, and brings together a few themes from the other movements (if you look closely 😜). It represents the simple, glorious joys of that North Atlantic island. This movement begins easily and quietly, then moves through various dark passages before the main theme is realized near the end. Then the piece ends as simply as it began. I find this finale to be extremely moving, and I hope you all enjoy it as much as I do! As always, I look forward to hearing your comments and suggestions! And... it feels great to finally be done with this suite! 😅
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I was thinking of using this as a theme for a theme and variations piece but not sure if it fits that sort of thing. Any ideas if this is acceptable, or what needs to change? Thanks for any feedback.
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I've gone back to this piece to look at patterns and structures in what I tend to make. So far I see simple melody but colorful chords and dissonance in the music, ostinato in the bass and syncopated rhythm throughout. The key signature in the sheet music is my best guess at what it might've been, but I do hear there might be modulations. I tend to move away from main idea but bring back the idea at the end or throughout. Lots of repetition, this may be something I should hold back on in the future. I am very interested to know why this song works or why it may not work. I have the feeling that the melody never rests on what might be the home note, which makes it sound ambiguous. I think. Thank you for listening. Feedback, if you wish, is greatly appreciated.
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This is the fourth movement of Íslensk svíta (Icelandic suite) for piano solo. This movement is really a variations on a theme, the source being an Icelandic folksong, "Vísur vatnsenda-rósu." The piece has more of a cinematic feel to it than the other movements, and definitely requires more virtuosic abilities. There's also a certain edginess to this movement that, I think, contrasts nicely with the ebb-and-flow of the others. It was quite enjoyable to put together, so I do hope you all enjoy this, as well. Please let me know what feedback you have! Word to the listener: there are a lot of quartal harmonies, whole tones scales, and juxtaposed fifths, so be prepared for a lot of dissonance. This piece is exciting to play (and hear), but don't say you weren't warned if it gives you an earache.
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Composition completed on 01/10/2019 You also can watch this piece here -
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Hello everyone I don't think I've posted a piece here in a while. Here is a composition for Bassoon and Piano - the first I have written for Bassoon solo. What do you guys think of it?
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The third installment (and middle movement) in the Icelandic Suite for Piano Solo. This movement is slow and poignant, often even lethargic. It relies heavily on quartal harmonies, diminished 5ths, and whole tone scales to convey a sense of listlessness and loss (my emotions, at least). The inspiration comes from deep mourning and melancholy, looking out on a rain-drenched day. I hope it finds resonance with your soul, too. Also, I'm not sure how I feel about the length of the piece. Bar for bar, it's shorter than the other two movements thus far, but the sluggish tempo makes it longer in duration. I tried to keep it interesting by modulating and varying the melodies/accompaniments, but I'm worried it may become too boring. I'd greatly appreciate your thoughts about this—and about the piece in general. Thanks, and happy listening!
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Hello, this is a piece of mine for a contest where I had to stick to the chord progression vi-IV-I-V and make it around 2:20 or less. Since this is my best work so far, I would like some criticism or advice on anything. Thank you. Arctic Petals (Score + Audio)
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The second installment in this suite for solo piano. (The first movement is located here.) This movement, entitled "Dans," is not a literal dance; rather, it represents the rhythm that pervades this thing we call life. The work uses a lot of whole tone chords to convey mystery, and the rhythm is in an unsettling 5/8 time. There are passages of great unrest, confusion, joy, bittersweetness, loss—the whole gamut of human emotion. I tried to keep constant movement throughout to symbolize the onward march of life. As usual, this piece is impressionistic in style: quite tonal, but chord progressions are rather free, and the key changes many times. Try not to focus too much on the melodies, but rather on the imagery the piece evokes. It will take you places (hopefully!), especially once your inner metronome jives with the strange rhythm pattern. This movement contrasts a great deal from the previous one. It tends to lack a home key except in a few passages. There are less places to "catch your breath." And there is little counterpuntal material. But there are some similarities, as well, which I hope you will pick up without my giving it away. 😁 As always, I look forward to your comments/criticisms/suggestions. Happy listening!