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Found 8 results

  1. This piece is from a beautiful Georgian folk love poem. During my time in Afghanistan, we did a lot of work with the Georgian military, and I was always very impressed by their culture and music, so I decided to do some research into it. Georgian music is some of the oldest polyphonic music in the world, and that ancient sound is reflected in the "chant" parts of this piece. Modern chordal movements are also included to contrast the old with the new while still maintaining continuity throughout. There is both positivity and pain in this piece which is approprtiate for both the narrator of the
  2. I wrote a new song in the past 2 days. It is a samba type fusion music. I incorporated my JP-8080 to death and my live horns. Tell me what you think, comment and follow me here or SoundCloud or Instagram @wind_player1 https://www.instagram.com/wind_player1/ Listen to Validus by Cj Rhen #np on #SoundCloud
  3. Hello everbody, This is my first serious choral composition, which I composed to practise counterpoint and voice leading. The piece is an Ave Maria, but the language is Dutch, which made it quite hard to compose music on. It is a hard language regarding accentuation. Dutch text: Wees gegroet, Maria, vol van genade. De Heer is met U. Gij zijt de gezegende onder de vrouwen, En gezegend is Jezus, de Vrucht van Uw schoot. Heilige Maria, Moeder van God, Bid voor ons, zondaars, Nu en in het uur van onze dood. Amen. There is trouble with the audio in this topic,
  4. A small playful piece for my friend who asked me for something fun. Approximate translation: Never mind, never mind, yesterday I had a girl today I have none. Now It's bad, now I'm gone I: my wife sold my oaxes for a bonnet. :I She sold a cow aswell bought herself a thingy-lingy on her head. She sold a stallion too, bought herself laces for bonnet. Never mind, never mind I: yesterday I had a thousand crowns now I have none. :I translation only for understanding the text purposes as always.
  5. Two pieces from song cycle I was assigned to write at summer semester at conservatory. Tam pod Salatinom has lyrics for a woman singer but my friend liked the piano so much that he took the liberty to change the lyrics a little bit so he could sing it at concert in our city. The second one is a short song I liked because it was fresh and funny and I learned a lot there about how not to complicate things. The main thing I am looking for in critique would be notes on form and piano stylization. For example I learned that Tam pod Salatinom has hard changes for hand and making it unnec
  6. This is my entry for the Shakespeare contest. It's an elegiac song upon the famous Macbeth's soliloquy. Hope you enjoy^^
  7. Opus 9, Madrigal no 1, written for SSATB(lyrics : Bright Star by John Keats). Full album cover and more music available here : https://www.reverbnation.com/mademoisellelilaclucrezia Opus 9.mp3
  8. Early in 2014, the father of a childhood friend of mine messaged me unexpectedly on Facebook, asking me to email him, as he had something very particular he wanted to discuss, and it wouldn't do to text it. When he emailed me back, I was pleasantly surprised and honoured that he was commissioning me to compose a piece of music in honour of his late wife, who had died the previous summer. This gentleman had long been a patron of the arts, and this was not the first time he had commissioned music from me. But this project was different, in that he had something very particular and rather unus
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