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Hello all. I have recently remembered about this piece that I composed for a workshop back in June. The pieces were recorded at the end of it, and I can share it with you now. I decided to write for Piano Trio. The movement starts and ends in A major, but has sections in other keys. It is in a rough sonata form with two contrasting themes. The main idea has a seemingly random dotted rhythm, but it actually fits in a 5/4 beat shown at the end. The second theme also fits into the 5/4 section for its recapitulation. I am mostly happy with the recording, except for perhaps the final few bars. We only had one rehearsal before the performance and recording so I thin kwe did well. Any mistakes by the violin and cello are due to under rehearsal - any mistakes by the piano are due to me not practising enough beforehand! Hope you guys like it.
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Pieces for Pianoforte Op. 21 No 2 - Pastorale This is the 2nd piece of a collection of piano pieces I am slowly writing. The 1st piece, I wrote many years back. I only now finally found the motivation to write for the 2nd. Let me know what you think. This is a digital rendering using MuseScore3.
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https://soundcloud.com/user-777001654/work-in-progress I'm new to composing. Please criticize this short piano piece.
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Hi all! That's my new piano composition called "The Lighthouse". It is slightly inspired by the music of Russian composers, such as Glinka. It follows a rather simple A-B-A pattern. A consists of the main introduction theme, a development and a powerful final theme. B consists of a quiet theme in the Major key and a fast, dramatic theme in the minor key. Thank you for listening! Some Feedback would be nice 🙂 Piece No.4 Op.3 - The Lighthouse (online-audio-converter.com).mp3
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Hello, this is my very first composition. I named it 'Relique', planning to release more in the following weeks.... I love composing melancholic piano songs and am starting in Photography. So I tried to combine both together... Any inputs welcome... 😉 Watch it here : Milky Way & Emotional Piano
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Composition completed on 01/21/2016 You also can watch this piece here -
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I was thinking of using this as a theme for a theme and variations piece but not sure if it fits that sort of thing. Any ideas if this is acceptable, or what needs to change? Thanks for any feedback.
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I wrote this one in January 13, 2014 and edited a bit just now. I was just having fun with melodies that time and I thought maybe develop this one into a short but fun piece. Plus, this was my first attempt on this style of writing 😄
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Composition completed on 01/10/2019 You also can watch this piece here -
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I know I'm pushing it a bit calling this a nocturne. First time I have tried to compose this sort of piece. Please do let me know where to improve. Thanks.
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Hello composers all around the world. Here is my new piano piece. Would like to know what you think about it. Cheers!!
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Short prelude I wrote on a theme I got while improvising. Written: July 31, 2019
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An original piece by the young composer / arranger Drake King.
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Hi guys, I am posting one of the pieces for solo piano, which I wrote for the movie. Feedbacks are very appreciated!
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Well, folks, I'm very pleased to offer you the final installment of Íslensk svíta! This one is called "Lofsálmur," which means "hymn." It's a kind of song without words, and brings together a few themes from the other movements (if you look closely 😜). It represents the simple, glorious joys of that North Atlantic island. This movement begins easily and quietly, then moves through various dark passages before the main theme is realized near the end. Then the piece ends as simply as it began. I find this finale to be extremely moving, and I hope you all enjoy it as much as I do! As always, I look forward to hearing your comments and suggestions! And... it feels great to finally be done with this suite! 😅
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This is the fourth movement of Íslensk svíta (Icelandic suite) for piano solo. This movement is really a variations on a theme, the source being an Icelandic folksong, "Vísur vatnsenda-rósu." The piece has more of a cinematic feel to it than the other movements, and definitely requires more virtuosic abilities. There's also a certain edginess to this movement that, I think, contrasts nicely with the ebb-and-flow of the others. It was quite enjoyable to put together, so I do hope you all enjoy this, as well. Please let me know what feedback you have! Word to the listener: there are a lot of quartal harmonies, whole tones scales, and juxtaposed fifths, so be prepared for a lot of dissonance. This piece is exciting to play (and hear), but don't say you weren't warned if it gives you an earache.
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Here is another short piece that I wrote over the summer. It's a humoresque in ternary form. I hope you guys like it. Note: I think the audio file is missing a repeat on the da capo.
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I've gone back to this piece to look at patterns and structures in what I tend to make. So far I see simple melody but colorful chords and dissonance in the music, ostinato in the bass and syncopated rhythm throughout. The key signature in the sheet music is my best guess at what it might've been, but I do hear there might be modulations. I tend to move away from main idea but bring back the idea at the end or throughout. Lots of repetition, this may be something I should hold back on in the future. I am very interested to know why this song works or why it may not work. I have the feeling that the melody never rests on what might be the home note, which makes it sound ambiguous. I think. Thank you for listening. Feedback, if you wish, is greatly appreciated.
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Fifth nocturne. Maybe too repetitive but not completely sure. Please do give feedback if you have any. Thanks very much.
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Hello everyone I don't think I've posted a piece here in a while. Here is a composition for Bassoon and Piano - the first I have written for Bassoon solo. What do you guys think of it?
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The third installment (and middle movement) in the Icelandic Suite for Piano Solo. This movement is slow and poignant, often even lethargic. It relies heavily on quartal harmonies, diminished 5ths, and whole tone scales to convey a sense of listlessness and loss (my emotions, at least). The inspiration comes from deep mourning and melancholy, looking out on a rain-drenched day. I hope it finds resonance with your soul, too. Also, I'm not sure how I feel about the length of the piece. Bar for bar, it's shorter than the other two movements thus far, but the sluggish tempo makes it longer in duration. I tried to keep it interesting by modulating and varying the melodies/accompaniments, but I'm worried it may become too boring. I'd greatly appreciate your thoughts about this—and about the piece in general. Thanks, and happy listening!
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Composition completed on 12/10/2016 You also can watch this piece here -