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Showing results for tags 'piano', 'sonata', 'solo' or 'alevel'.
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This is my new song called "True Colors" and it includes the Roland JP-8080, Korg MS-20, Korg Monopoly, other vsts, and West African Percussion. Follow me on Instagram @wind_player1 to hear more content most important tell me what you think. Thank You!
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This piece is called "The People of the Elder Ice." As you listen, picture an Inuit village, alone at the edge of the world, surrounded on all sides by a frozen waste. Survival is a daily struggle, food is often scarce, and the fickle arctic gods constantly toy with the villagers... yet somehow the people thrive. (I've posted this music before, but now you can watch the music as you listen).
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One of my last piano pieces... Unimportant.pdf Unimportant.mp3
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Some of my influences here: John Cage, Arvo Pärt, Peteris Vasks, Philip Glass. A simple piece for piano and viola, in an elegiac mood, remembering someone lost just a year ago.
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Another piece with not much in mind but trying to be free and expressive for background music. I also have new software by Spitfire which i'm obsessed with. Feedback and criticism welcome.
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This is a little suite inspired in the myth of Psique. El rapto de psique.mp3 Caronte y Psique.mp3 Psico-Fantasía.mp3 El rapto de psique.pdf Caronte y Psique.pdf Psico-Fantasía.pdf
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Thoughts
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Hey guys, here's a short piano piece I wrote about a month ago as an exploration of pitch class set theory. That being said, I feel that the set that I chose (0247) is a little bit too "tonal" for you to really be able to tell that it was written using pitch class sets in the first place. So I'll probably end up wanting to give it another go. But I would love to hear your thoughts on what I do have, as well as any thoughts you might have on composing with pitch class sets, and what you might have done differently in order to create something that actually "sounds" like it was written using set theory. Oh and sorry for the mediocre sound/performance quality.
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I decided to post this as incomplete, because this only the first movement of hopefully three that will make up my second symphony. If this is incorrect, please feel free to move this to the proper location. The instruments are the same as my first symphony: Vibraphone, Marimba, Crash Cymbals, Cabasa, Piano, Celesta, String Synthesizer, Jazz Guitar, and Acoustic Bass. I placed emphasis on establishing a melody and then having it reappear later. The movement lasts about 5 minutes, and was written in Musescore 2 using the Compifont soundfont. Like my first one, in the mp3, there are popping sounds that I believe are caused by an issue with Musescore and the guitars. The movement starts off slow, and then becomes more upbeat as it goes on. -
My submission for the Winter Competition. It was written pretty hastily over the past week or so, after previous attempts for the competition didn't pan out. All things considered, I liked where it went in the time that I had to write it. I hope you enjoy it.
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26 Minuets for the Piano-V.mp326 Minuets for the Piano-V.mp3Hi. It has been long since I have posted or visited this site, because I was very busy. I have, meanwhile, started a set of compositions called '26 Minuets for Piano'. Why 26, if you ask, if there are only 24 major and minor keys? Well, the other two are whole-tone and 12-tone. This task is quite challenging, and I have only managed to complete at least about 60% of it. Progress has been quite slow recently as I still have other stuff. Any feedback and comments are appreciated. (By the way, the harmonies are still like sh*t so please forgive me for that). I will add the reflections and explanations for each piece in the future once I had finished everything. Note: I am still deciding between two versions for VI (B minor). The first short one is rather contemporary while the 2nd one is rather more baroque. The VI is meant to be fugal by the way. Incomplete: VI (still making a decision), VII ( I am still revising the first section), XVI, XXVI
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Greetings again my composer friends! Here is one of my more complex pieces that I've written. Undertaking a big orchestral score is quite the challenge, so I'm wondering if anyone has any advice on improving songs like these. Enjoy! Chronicles of My Past
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So I started writing a third symphony, with the same instrumentation as the previous two. I remembered that I have a lot of unused material that I wrote years ago. Some of it is probably 5 years old or older at this point. I took two things that I wrote, and put them together to create what is intended to be the intro to Movement I. The originals, "composition" and "Symphony," are included below for reference (I imported the original MIDIs, and Musescore messed up the triplets). I took them and tried to improve upon them, including taking them out of the full orchestra zone and condensing them into the chamber orchestration. I wasn't comfortable with the full orchestra back then and I certainly am not now. Overall, the only thing I can say so far about it is that it is very repetitive. I guess that's just part of my style.
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- jazz guitar
- vibraphone
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Small piano piece influenced by Puerto Rican rythm from the folk mountains mixed with an "classical" language.
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"Free our Mind" is a track based on the song "Money Trees" by Kendrick Lamar
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I am a beginner and have zero knowledge in music, i tried composing something using garageband software. Let me know what do you think of this piece of musical?
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Balada 2.mp3 Balada 2_ Partitura completa.pdf
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This is my first attempt at a piano sonata. I used a very loose sonata form to encourage experimentation with the motifs and other themes. This is also a birthday gift to my parents, whose birthdays are both in March. Movements: I. Celebration at the Festival (Variation of the Arirang theme with excitement and joy) (0:00) II. Snow Divination (Calm and soothing (like snow falling from the skies) and then with passion) (2:02) III. Dance of Vitality (Quick melodies and a feeling of vigor) (4:58) Movement III is the one that I experimented with the most.
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I had more ideas, so I put them together and created a second symphony. The instruments are the same as my first symphony: Vibraphone, Marimba, Crash Cymbals, Cabasa, Piano, Celesta, String Synthesizer, Jazz Guitar, and Acoustic Bass. I placed emphasis on establishing a melody and then having it reappear later. The piece lasts about 20 minutes, double the length of my first symphony, and was written in Musescore 2 using the Compifont soundfont. I worked on it for about a week and a half. Like my first one, the entire piece is of original composition, unless I somehow copied existing melodies without realizing it. Also like my first one, in the mp3, there are popping sounds that I believe are caused by an issue with Musescore and the guitars. The first movement starts off slow, and then becomes more upbeat as it goes on. The second movement is austere and jazzy. The third movement, like my first symphony, is pretty much the first movement backwards with a few changes and additions here and there. This symphony serves as a sister to my first symphony, but it tells a different story. I feel like it also turned out sounding like the soundtrack to a video game. Indeed, there are parts inspired by the music of the Mario Golf series (especially Advance Tour), composed by Motoi Sakuraba. Other parts are made up of musical ideas that I've actually had for years. For example, the sixteenth notes in the first movement at measure 49 were inspired by a musical idea that I came up with more than ten years ago. I was at an amusement park we have here in Pennsylvania called Hersheypark, and I was in line to ride the ferris wheel. The ferris wheel machinery had this sort of hum to it that sounded to me like the notes C and G, and it stuck with me all these years later until I finally used it in a musical piece. In the end, I decided to kind of have fun with the instrumentation, and not really pay attention to whether or not it could be performed by a real orchestra.
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My entry for the Winter competition 2018! **If you get anxiety, this music is a little tense........ fair warning A piece in three movements inspired by three nuances of the emotion Fear: I - Rush, II - Dread, III - Phobia. All parts attached. My written notes regarding the questions for the competition are on the Composer's Notes page. I did include some extra bits because I got pretty thorough with this: CHANCE MUSIC TABLES.pdfThe Cue sheet is meant to guide the electronics and instruments in alignment and timing, the Chance Music Charts are in case anyone wants to see how I created my chance music. Any feedback and thoughts are welcome. Thanks all! Gustav Johnson -
Just finished my new piano tune - tried to go for a more upbeat style this time. Would love to hear any thoughts/improvements. Thanks :)
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Hi everyone, After receiving positive comments of my Piano Concerto Mov.1 , I have decided to write the proceeding movements of the concerto, which serves as a challenge to myself. I have long for writing a slow, romantic movement for a concerto and so, in contrast to the 1st Movement, the piano solo has more melodic parts here. How is the work so far? Is the string prologue too long? Btw, I am still trying hard to add woodwinds and brass as I am more familiar with strings, so I may add it later. Thank you for your comments:) Regards, HoYin -
This is a short, jazzy melody that has actually been floating around in my head for quite a while, but I had to figure out how precisely to transport it from my head into Musescore. It's only about a minute long. I was thinking of incorporating it into the scherzo of my next symphony if I do one. I feel like you wouldn't normally find jazz in a symphony. It's on piano for now, but I would probably have different instruments playing it later on.
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Hi producers and composers alike! "A Hero's Return" marks the tail end of Prisoner 8's journey. But is it truly the end as he hopes it will be?
