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  1. Two improvisations I recorded yesterday. They are contrasting (in my opinion) - let me know what you think! I recommend listening to the "Soft" one first. Soft.MP3 Hard.MP3
  2. Blissful Morning (Opus 15, classical version) written for piano, flute, violoncello, and a little dose of synthesizer in the finale. Originally, I planned on adding a toy piano sound, but unfortunately my software (Logic Pro X) doesn't have one. Instead of that, one of the syntheiszer leads has been added. The piece is written in F major entirely. I was trying to not jump too much in the rhythm sections or harmony, since my music teacher advised me to try to stick to one idea - sometimes less is more, and ideal doesn't mean perfect. If you like this version, please check out the electro one available on this site too! Thank you for listening, any helpful hints and comments!
  3. Hi guys, This is my first time posting on this site, it looks to be a great place for composers. I'd like to share with you the second movement of my first piano concerto, I'm eager to hear what you think. Unfortunately it's recorded through Sibelius so it doesn't sound all that authentic. Thanks, P. M. Joyce
  4. Other times, I learn a lot making piano reductions from works I love. Crisantemi is an elegy composed by Puccini ¡¡in one night!! the day that the duque "Amadeo de Saboya" died. It's a less known work, because of his operas, of course. Written for string quartet, it is actually performed nowadays by a string orchestra. The version for the quartet is wonderful. Here is my version:
  5. Recent addition to the daily sketch series, and I wanted to see if I could match my own competition theme. I was also kind of on a time crunch to write that day (hedging...) so the results did not follow my criteria very well. It ended coming out more of a "Fantasy on Some Themes" rather than a "Variations on a Theme". However, I still think the result is decently pleasant. Please enjoy this fantasy on themes by Hovhaness from "And God Created Creat Whales"!
  6. Some time ago, I wrote music (piano solo) for the silent movie The Cabinet of Dr. Caligari, synchronizing music and image and, by the way translating the titles into Spanish. After that, I extracted two suites. This is the first. From m. 140 to m. 153 you will notice a quotation (harmonized in a peculiar way) of a song by The Beatles from Sgt. Peppers: For the Benefit of Mr. K... It corresponds to the scene of the fair in the movie. Of course it is very different to listen and to wath it.
  7. The 50th in my sketch series. Working with basic tone rows (kind of ineffectively, but it works) and compound time signatures in this one. It sounds pretty minimal, until the slower parts. Enjoy! You're also probably wondering why I used the treble octave up clef instead of an 8va... well... I got lazy. Haha, sorry. It's just a sketch, after all.
  8. I'm not necessarily new to orchestra or symphonies but I'm no expert either. Thought I'll go for a dark/light theme. I finished this last night though the ending is abrupt. Not sure how well this is done. Need opinions or advice would be welcomed.
  9. I wrote this song precisely last year and arranged it for an orchestra for this website and now here it is in a mellower format, that of a jazz piano arrangement with a brush drum kit. I think it sounds nice overall. I had this song reviewed professionally by a multi award winning songwriter who gave me a B+ for the musical grade so enjoy! As always advice will be appreciated!
  10. Hey everyone. It's been a while since I last uploaded a composition here (a collection of miniature pieces for flute & piano), but I've had some time and started a new collection of jazz miniatures. This new project is my attempt at trying something new and writing something that isn't clearly influenced by romantic era music. I don't write much jazz, so please let me know what you think of this first piece. Thanks! Jazz Short 1.mp3 Jazz Short 1 - Full Score.pdf
  11. A re-upload of a short piano piece I wrote several months ago. I'm thinking of trying to write more pieces in something like this style. Any comments would be appreciated.
  12. This is my 9th Soliloquy for flute. For some reflective moods, I find the flute to be the best instrument for the soliloquy. Here is the link to my previous soliloquy for flute: http://www.youngcomposers.com/archive/music/listen/8289/soliloquy-for-flute-no-8/
  13. Here is another chamber sonata in three movements, this time for flute and piano. Let me know what you think!
  14. A short unaccompanied solo I wrote for one of my flutist friends. My basic train of thought when conducting this was to present a few themes, and then restate them in loose variation style, present a new theme, so on and so forth. When I presented it to her, her only complaint was my grouping sixteenth notes around a key change at measures 15 and 16. I hope some flutists and composers can offer advice and criticisms.
  15. UNFINISHED VERSION! I am trying to compose one of my favourite poems for soprano or tenor voice (octave below), but I'm littlebit confused, right now. I have never composed for solistic voice and accompainment before, only pure choral and some orchestral pieces I have worked. I'm asking for advice, if my work fits in some style of solistic pieces, because just like I said, I have no experience with solo, nor browsed any sheet of the "old masters" to have a look at how it works basically. So the poem is about spring, and the first verses could make out a sleeping song too. This work is unfinished, I have 3 more verses, in which I'd like to use more themes, more joy and sadness, etc. My question would be if it works well so far. The lyrics are in Hungarian, so I try to make a freestyle translation. Here you go: When Spring divides its kissis, and within the greening forests, sunshine is present, Waking up on the wet lawn, Tiny, small, white stars of Earth. To the velvet of the fields covered with dew, Whitening and falling down thousands of starflowers, And above, the wind blows softly, So the trees are waving at the edge of the forest. (...)
  16. This is one of those songs that just spilled out of me. It was just "right there." I started this by visualizing a scene and then writing what I was seeing and feeling. The chords are meant to mirror the emotions. I really wanted to get some rich, warm colors to go with the emotions in the lyrics. I wrote the words and music. It's performed by two other artists. Hope you enjoy it, I'd love to get your constructive feedback.
  17. In this case, I wanted to use the litlle form of sonatina to non traditional harmonies. The result was a sonatina in canonic style.
  18. This was the first nocturne I wrote, some tiem ago. It's in Emin, tonal but with some unusual progressions. In some parts I used an artificial scale (nor major, nor minor).
  19. Another edition in the daily sketch project I've been doing, this one aimed to try to tell common and simple stories through musical means (the one before was "Little Red Riding Hood"). The ending has the tone I want, but I don't really know about how it was executed. Let me know what you all think;
  20. Hey , firstly stoked to be part of this community , so i recently composed this piece for an inspirational video. if you got a minute , do check it out here and lemme know what you think about it ! Cheers :D
  21. A re-upload of one of my most recently completed works, a short lied with a viola substituting for a singer. Let me know what you think.
  22. Hey guys! Here is just a short little arioso for cello and piano that I composed a few months ago. Let me know what you think as always.
  23. Hey guys! So, I'm a little mentally exhausted -- I'm just after writing nine pieces in the past three days (which will all be uploaded soon.) This is my first true chamber sonata for oboe and piano, and I hope you guys enjoy. I really enjoy writing in this form, so let me know what you think and thanks for the help.
  24. Guest

    Opus 8, The Doll Waltz

    Opus 8, written for piano, celesta, vibraphone and triangle. Album cover and more music can be found here : https://www.reverbnation.com/mademoisellelilaclucrezia Opus 8.mp3
  25. Hi. My suite "The Four Elements" will soon be published, but i still have some time to give it another look and try to make some improvements. I would be really happy to have the input of other composers and music lovers. If you have the time, please take a listen and let me know what you think. Today i will be working on the third movement: "Air" Thank you! =)
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