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  1. This is a simple little piece in really no particular style or form. Happy to have any comments. Nocturne No 3 midi.mid
  2. Hello, This is my new piano music, It's very short, but this was my intention. I'm really interested in your opinion.
  3. This is another exploration into scales, as part of the Mediterranean Suite. Lucentum is the Roman name of my city, and means Light or Star... This city is very old. It seems to be founded by the Iberos (¿Iberians?). It was a Phoenician and a Greek colony (named Akra Leuka = White Coast). Afterwards a Roman city (Lucentum), and in 8th century the Arabs entered and stayed for 800 years, they gave the actual name: Alicante (from the Arab names: Ali and Cantara, who were a couple in love that ended in tragedy, of course). Well, this piece is a sort of nocturno with a tonal part in the beginning and in the ending. In the middle there is a development using a Lydian - Harmonic scale: first tetrachord is lydian, second one is harmonic. The generated chords make the mode moderately unstable (the tonic is stable Cmaj7 and there is a good cadential chord Bmin). In this part, what seem chromaticisms are, in fact, diatonic notes to the scale.
  4. Here is another part of the Mediterranean Suite, this time using hungarian minor and hungarian major scales.
  5. Hi I'd like to bring here something different. Lately, I've been working on a "Mediterranean Suite". I used a lot of different scales with something in common: they come from the Mediterranean countries. From Spain to "Persia" and from Africa to Europe, the Balkans, etc... Every one of them is unique, but I guess they all came from the same ancient scale. The suite is finished, because it's made from material I've been writing for two years or so. I made the selection and reworked some points. But it takes 10 pieces, too long to put them together here. We have here a very special mode: the phrygian-phrygian dominant scale... The one used in Flamenco. Levante is the coast my city is in... This piece imitates the sound of the guitar. Flamenco music don't use the piano, only guitar and other instruments (caja, castañuelas). But, of course, younger musicians have introduced many other instruments.
  6. Disclaimer: This is NOT my entry for the fall competition. I wrote this piece during my student days as an exercise. I was inspired by the Downton Abbey soundtrack and instrumentation, which consisted of piano and strings. I came up with an original theme and wrote 3 variations on it. I would appreciate any feedback and comments. Happy listening! PS: The audio is a little meh....but you'll get the general idea.
  7. This is, in my opinion, the most beautiful piece of music I have ever written. Enjoy^^
  8. Hi.... Back to tonality. These are 4 short and simple pieces part of a cycle about different moments of a day. Two of them use hybrid chords, a sonority I love; the other are in minor mode.
  9. I thought I should release an example of my work for the competition just for fun. This is one of the few works I thought I was really proud of when I finished. I recently got it copyrighted, and can put it here without much worry. Looking back on it, there are a few issues, but I still rather like it. I hope you all do too!
  10. Hi, this was the first silent movie I scored for. I like this old movies. I saw a version of this film with an ugly music. Well, the music was wonderful but... what the hell the music of Carmen (Bizet) with this trip to the moon? Of course there was no synchronization at all, and you could listen to Toreador while the people is fighting against the aliens... So, I was determined to try and write something. I hadn't done anything for several instruments before this, and it was all very intuitive. But I think it has good moments, mostly because of the synchro. I share it just for fun (13 minutes long). It is scored for wind sextet and piano. There ara tonal, atonal and modal parts... I have the scores, but I think, in this case, are not very relevant: My Trip to the Moon
  11. These piano tracks are meant to add atmosphere to my Silent Hills game project. These are meant to be listened to with half volume as they are for background music. Inspired by Akira Yamaoka's music
  12. Two improvisations I recorded yesterday. They are contrasting (in my opinion) - let me know what you think! I recommend listening to the "Soft" one first. Soft.MP3 Hard.MP3
  13. Other times, I learn a lot making piano reductions from works I love. Crisantemi is an elegy composed by Puccini ¡¡in one night!! the day that the duque "Amadeo de Saboya" died. It's a less known work, because of his operas, of course. Written for string quartet, it is actually performed nowadays by a string orchestra. The version for the quartet is wonderful. Here is my version:
  14. Hi guys, This is my first time posting on this site, it looks to be a great place for composers. I'd like to share with you the second movement of my first piano concerto, I'm eager to hear what you think. Unfortunately it's recorded through Sibelius so it doesn't sound all that authentic. Thanks, P. M. Joyce
  15. Recent addition to the daily sketch series, and I wanted to see if I could match my own competition theme. I was also kind of on a time crunch to write that day (hedging...) so the results did not follow my criteria very well. It ended coming out more of a "Fantasy on Some Themes" rather than a "Variations on a Theme". However, I still think the result is decently pleasant. Please enjoy this fantasy on themes by Hovhaness from "And God Created Creat Whales"!
  16. Some time ago, I wrote music (piano solo) for the silent movie The Cabinet of Dr. Caligari, synchronizing music and image and, by the way translating the titles into Spanish. After that, I extracted two suites. This is the first. From m. 140 to m. 153 you will notice a quotation (harmonized in a peculiar way) of a song by The Beatles from Sgt. Peppers: For the Benefit of Mr. K... It corresponds to the scene of the fair in the movie. Of course it is very different to listen and to wath it.
  17. Blissful Morning (Opus 15, classical version) written for piano, flute, violoncello, and a little dose of synthesizer in the finale. Originally, I planned on adding a toy piano sound, but unfortunately my software (Logic Pro X) doesn't have one. Instead of that, one of the syntheiszer leads has been added. The piece is written in F major entirely. I was trying to not jump too much in the rhythm sections or harmony, since my music teacher advised me to try to stick to one idea - sometimes less is more, and ideal doesn't mean perfect. If you like this version, please check out the electro one available on this site too! Thank you for listening, any helpful hints and comments!
  18. I'm not necessarily new to orchestra or symphonies but I'm no expert either. Thought I'll go for a dark/light theme. I finished this last night though the ending is abrupt. Not sure how well this is done. Need opinions or advice would be welcomed.
  19. I wrote this song precisely last year and arranged it for an orchestra for this website and now here it is in a mellower format, that of a jazz piano arrangement with a brush drum kit. I think it sounds nice overall. I had this song reviewed professionally by a multi award winning songwriter who gave me a B+ for the musical grade so enjoy! As always advice will be appreciated!
  20. The 50th in my sketch series. Working with basic tone rows (kind of ineffectively, but it works) and compound time signatures in this one. It sounds pretty minimal, until the slower parts. Enjoy! You're also probably wondering why I used the treble octave up clef instead of an 8va... well... I got lazy. Haha, sorry. It's just a sketch, after all.
  21. Here is another chamber sonata in three movements, this time for flute and piano. Let me know what you think!
  22. UNFINISHED VERSION! I am trying to compose one of my favourite poems for soprano or tenor voice (octave below), but I'm littlebit confused, right now. I have never composed for solistic voice and accompainment before, only pure choral and some orchestral pieces I have worked. I'm asking for advice, if my work fits in some style of solistic pieces, because just like I said, I have no experience with solo, nor browsed any sheet of the "old masters" to have a look at how it works basically. So the poem is about spring, and the first verses could make out a sleeping song too. This work is unfinished, I have 3 more verses, in which I'd like to use more themes, more joy and sadness, etc. My question would be if it works well so far. The lyrics are in Hungarian, so I try to make a freestyle translation. Here you go: When Spring divides its kissis, and within the greening forests, sunshine is present, Waking up on the wet lawn, Tiny, small, white stars of Earth. To the velvet of the fields covered with dew, Whitening and falling down thousands of starflowers, And above, the wind blows softly, So the trees are waving at the edge of the forest. (...)
  23. This is one of those songs that just spilled out of me. It was just "right there." I started this by visualizing a scene and then writing what I was seeing and feeling. The chords are meant to mirror the emotions. I really wanted to get some rich, warm colors to go with the emotions in the lyrics. I wrote the words and music. It's performed by two other artists. Hope you enjoy it, I'd love to get your constructive feedback.
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