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Showing results for tags 'classical'.
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This one is I newly composed, hope you like it.
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- piano solo
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These are my other two piano solos composed recently, wish you like them. And @Monarcheon, welcome your commentation.
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Hi guys, This is my first time posting on this site, it looks to be a great place for composers. I'd like to share with you the second movement of my first piano concerto, I'm eager to hear what you think. Unfortunately it's recorded through Sibelius so it doesn't sound all that authentic. Thanks, P. M. Joyce
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Here is another chamber sonata in three movements, this time for flute and piano. Let me know what you think!
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This sketch was up to study how to write instrumental accompaniment for a simple chorus, how to write different variations of a melody, and of course, what sequence I should use. The lyrics are from the medieval ages by Albert Csanády, and it could be used as a sentence of a Christmas oratorio, or something like that. Again, I say it's just an attempt or sketch that I upload, and I'm up to get adives or criticism, in order to get the accompainment, the melody or the sequence better, according to classical construction style. Thank you!
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Hey everyone! Please let me share a newly recorded version of my composition "The Sea". Don't know If this is the right place for it, but it's a guitar composition so I thought It would fit well in the chamber music althought it's not a typical chamber music piece. There's a nice story behind this, I was at the summer vacation in Croatia and I once brought my guitar to the beach with me, it was in the late evening and the beach was all empty. And while I was listening to the waves and playing some harmonies that had the "sea feel" to me, a family of strangers sat so near to me as If they wanted to listen to my playing while watching the sea. After a while they left and so I thought that maybe they didn't like it, but they soon came back to the exactly same place near to me with a blanket and stayed there until I left. So I thought If they like it, I should make a composition out of what I was playing and this is it. It's played by me and the waves in the background are recorded in Ireland by my friend. I hope you'll enjoy! :)
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This is a brief, fast-paced piece for the cello and piano. I'm haven't written much in the way of chamber music, but let me know what you guys think!
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Here is another air for soprano and piano, based on a text my mother wrote (which I translated as well as I could). Again, the flute is used instead of the choral patch. Let me know what you think, and, if you know Italian, if the translation is accurate. Thanks! UPDATE: This piece has been changed and moved into an updated collection here ------> -
My first orchestral piece finally done! Opus 12 is written for modified orchestral ensemble consisting of : Piano, Woodwinds : flute, oboe, A clarinet Brass : French horn Percussion instruments : glockenspiel, vibraphone, tubular bells, triangle Strings : violins 1, violins 2, violas, violoncellos and contrabasses. and harp. Composition consists of first part (moderato - E major/C sharp minor), second part (F major/D minor) and third part - modified first part. Since I'm a complete amateur high school student, any helpful hints and comments are very welcomed! Score in PDF format coming soon. For more music please visit : https://www.reverbnation.com/mademoisellelilaclucrezia
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Sinfonia I.mid
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Here is another air for soprano and piano. Once again, the soprano voice is played by a flute (as both the range of the actual midi soprano has a more limited range and it sounds worse.) I also have the piano played by strings, as I think it sounds better. Let me know what you think! UPDATE: This piece has been changed and moved into an updated collection here ------>
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Here is a piece based upon earlier motifs I had written long ago. I composed the lyrics, as well as translated them into Italian as best as I know (I think they're pretty close, if not let me know). Instead of the terrible midi choir I have, I utilized the flute voice, as it not only sounds better, but it can actually sound some of the piece's notes (the choral patch cannot hit the higher notes for some reason). I wrote this piece for a friend of mine who is an operatic soprano (she is able to hit the higher notes written). Let me know what you think! UPDATE: This piece has been changed and moved into an updated collection here ------>
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Some work I composed. Always looking for new opportunities. www.carldoesmusic.com
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A simple choral piece which I was commissioned to write for my school's choral teacher,by whom it was then performed. Unfortunately, I don't have the actual recording, so this is the computerized version. Let me know your thoughts!
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This is a set of preludes I composed and recorded for the piano, and the set tells the narrative of a maritime journey, detailing the calm sea, the time spent on the ship, the lighthouse on land, the seabirds, and finally the port. I made these pieces the bulk of my newest album, and it can be found here. Thanks, and let me know what you think.
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This is a set of three pieces, though composed individually, that I put together as a single opus number, each reflecting an attempt to compose within a specific style. The first is a "sonata" akin to the single movement works of Domenico Scarlatti. It originally started as a possible movement for my harpsichord concerto which I later just used as a stand alone solo keyboard piece. It is playable for harpsichord or piano. The second is a movement in classical sonata form that was originally an assignment for a music theory class. It's probably the most "pedantic" of the group being in very tight sonata form. The last is a romantic style prelude. It is a piano transcription of the cadenza to the ending of Fantasy for violin and orchestra that I wrote about 5 years ago.
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I attached the final two movements as just MP3's, as I have yet to upload them to YouTube. This is my most extended piece of music, which was completely over the period of about 6 days. It consists of nine movements for orchestra based around Dante's Inferno, a description of Hell. The score may need some revision, but the work as a whole is ~160 pages, so minor revisions are to be put off. Enjoy, and check out my YouTube channel for a more in-depth description of some of the individual pieces.
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- literature
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Hi all. Here is the 4th movement of my recently finished sonata in E. It is generally in the style of Beethoven/Mozart. I am quite pleased with how it has progressed. I would value any feedback. I am blessed to be able to share it. The sheet music was written with MuseScore, which is a neat little program. If you wish to listen, simply go follow the link and hit play. Cheers. https://musescore.com/user/9350326/scores/2120656 Because it is being played off the score, it will lack a little of the human touch, but it will give a pretty good idea of the overall sound of the movement. :)
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A brief piece for cello and piano I quickly wrote. It is among the first of the pieces that I've written in such a style, so I'm always looking to improve. Let me know your thoughts, and thanks!
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A concert overture I just recently finished about Snowdonia National Park, Wales (Eryri in Welsh), which I recently visited. Let me know what you think!
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Hey everyone! I'm new to this forum. I just discovered a new composing forum, and they're currently hosting a classical composition contest. At this point, the forum is very new and there's only a few members, so they could use some publicity. It's not going to be extremely competitive, and there are 100$ prizes which are nice. Here's the link if you want to check it out: http://composers.boards.net/thread/2/site-launch-100-composition-contest Check it out!
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I have been playing piano for about 6 years now, and have just recently (the past month or so) started composing my own piano pieces. I mostly play contemporary music and improv, but I have taken an interest in classical music, more specifically, bagatelles, preludes, etudes, and sonatas for the piano. My question is this: What gives a piece that "classical sound". When I compose a piece, and listen to it, it sounds very contemporary and modern. How can I achieve a more classical era style? Are there specific rules or guidelines that these composers follow? Thanks.
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Hey everyone, I just wrote a book called, Cello Chords, which is a guide to harmony on the cello. It covers 11 different types of chords in all 12 keys and is an excellent resource for exploring all different types of music on the cello. You can check it out and purchase it here: www.bryanwilsoncello.com/cello-chords. Thanks guys!
